Twelve years after the tragic death of their little girl, a doll-maker and his wife welcome a nun and several girls from a shuttered orphanage into their home, where they become the target of the doll-maker's possessed creation, Annabelle.
Against all logic, the competitive swimmer, Haley, drives into the mouth of a furiously destructive Category 5 hurricane on a collision course with her hometown of Florida, to check in on her estranged father, Dave. There, in their weather-beaten house amid a rapidly sinking and alligator-infested town, Haley and her father find themselves trapped in the labyrinthine mess of their flooded crawl space, where a merciless pair of six-metre predators is silently stalking them. Now--as Haley and Dave are gasping for air in the claustrophobic basement--only their will to survive can help them stand a chance against the scaly adversaries' powerful jaws. Can they escape without getting eaten alive?Written by
Basements are very, very rare in Florida because most of the state is at, or below, sea level, and the ground is largely sand. See more »
When Haley and her father are outside after escaping the crawl space, Haley's hair isn't blown by the wind - even though it's a category 5 hurricane that is almost toppling trees. See more »
[to an alligator after it traps her in a shower]
Come on, you son of a bitch!
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Right after the last shot of the movie, as the credits begin, Bill Haley's "See You Later Alligator" plays - a wacky, upbeat 1950s rock song that is wildly out of place with the tone of the film. See more »
Despite 3 or 4 irritating scenes that transpire script mediocrity with let's say 1 or 2 appalling minutes, the film manages to scare the audience with panache, at least me anyway. I was indeed gesticulating in my armchair each time an alligator grabbed and shook a protagonist. Actually, it's not really surprising: as an euphemism, in the horror / thriller genre, Alexandre Aja is definitely not a padawan. Thus, Alexandre Aja has managed an effective film that successfully fulfills his objective: to keep the audience on the edge of the seat during 90 minutes.
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