Jong-su bumps into a girl who used to live in the same neighborhood as him, who asks him to look after her cat while on a trip to Africa. When back, she introduces Ben, a mysterious guy she met there, who confesses his secret hobby.
Ryota is a successful workaholic businessman. When he learns that his biological son was switched with another boy after birth, he faces the difficult decision to choose his true son or the boy he and his wife have raised as their own.
In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
A Japanese couple stuck with part-time jobs and hence inadequate incomes avail themselves of the fruits of shoplifting to make ends meet. They are not alone in this behaviour. The younger and the older of the household are in on the act. The unusual routine is about to change from care-free and matter-of-fact to something more dramatic, however, as the couple open their doors to a beleaguered young girl. The reasons for the family's habit and their motivations come under the microscope.Written by
The film premiered on 13 May 2018 at the Cannes Film Festival, where it went on to win the Palme d'Or. Shoplifters won the Asia Pacific Screen Award for Best Feature Film, and is nominated for both the Golden Globe and the Oscar for Best Foreign Language Film. See more »
[while trying on a swimsuit in a department store dressing room]
Will you hit me later?
No, I will not hit you.
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For this stunning masterpiece Shoplifters, Hirokazu Koreeda should win the Academy Award for Best Director. It is unbelievable that the rather complicated characters and their relationships are depicted in just two hours. The approach is mild, understated, low-profile, subtle and nuanced. Much room, space and thought are left to the viewers. The direction is simply super smart.
The cinematography is extraordinary, with some surprising long shots, close-ups and beautiful shots from tight angles. The editing is speechless, connecting numerous scenes just seamlessly. Not a single minute is wasted, and the film is largely intense and arresting. Together with the brilliant performances from the ensemble cast, the result is a satisfying and deeply affecting drama on lower class in Japan.
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