During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.
Set in seemingly contemporary times, a man who belongs to a persecuted minority attempts to escape from fascist-run France to America but falls in love with the wife of a dead author whose identity he has assumed.
A town in Fengjie county is gradually being demolished and flooded to make way for the Three Gorges Dam. A man and woman visit the town to locate their estranged spouses, and become witness to the societal changes.
Change and a city in China. In Chengdu, factory 420 is being pulled down to make way for multi-story buildings with luxury flats. Scenes of factory operations, of the workforce, and of ... See full summary »
Positively, the expressive power of the lens language in Zhangke Jia's works has been steadily rising. This more refined detail and the high-level performance that Zhao Tao has been maintaining recently constitute the biggest attraction of this film.
However, the combination of the era restoration and the theme of the drama in the past works have not been realized.
Therefore, the narrative ambition to break the dimension wall seems to be more like a gimmick, and eventually leads to the disconnection of the middle part of the film.
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