A widowed father and taxi driver who drives a German reporter from Seoul to Gwangju to cover the 1980 uprising, soon finds himself regretting his decision after being caught in the violence around him.
Tragedy of a 8 year old girl coping with a gruesome rape damaging her internally and affecting emotionally tries to overcome all obstacles that are about to happen in her life aftermath of ... See full summary »
May 1980. A Seoul taxi driver named Man-seob (SONG Kang-ho) comes across an offer too good to be true. If he drives a foreign passenger from Seoul down to Gwangju and back again before the curfew, he'll be paid the unthinkable sum of 100,000 won - enough to cover several months of unpaid rent. Without stopping to ask the details, he picks up the German reporter Peter (Thomas Kretschmann) and sets off along the highway. Although stopped by police roadblocks at the edge of Gwangju, Man-seob is desperate to earn his taxi fare, and eventually manages to find a way into the city. There they encounter students and ordinary citizens taking part in large-scale demonstrations against the government. Man-seob, alarmed by the danger in the air, pleads with Peter to go quickly back to Seoul. But Peter ignores him, and with the help of a university student Jae-sik (RYU Jun-yeol) and a Gwangju taxi driver named HWANG (YOO Hai-jin), begins shooting with his news camera. As time passes the situation ...Written by
Daniel Joey Albright's voice is entirely dubbed over in his brief appearance as a BBC reporter. See more »
The computer print-out of passenger manifest showed the modern typefaces in different font style and size as if printed from the inkjet or laser printer. Neither were available in 1980. The technology in 1980 would be typewriter font in one style and size along with characteristic appearance of ink ribbons as if printed from telex machines. See more »
[Man-seob sees Peter sitting against a radiator in the hospital ward, in a depressed stupor. He speaks to him in Korean]
Why are you sitting here? You need to record all this.
[He presses the film reel into Peter's hand]
You promised, to tell people. It needs to be broadcast, so people will know.
[He gently shakes Peter's arm]
You're a reporter. Shoot this. Jae-sik, and this, too.
[He grabs the camera and squeezes Peter's arm encouragingly]
[...] See more »
Before the end credits roll, a footage shows the real Jürgen "Peter" Hinzpeter speaking out his heart about the desire to meet Kim Sa-bok, the driver again in future. See more »
In one of the Blu-ray versions, the title card and Korean intertitles have been omitted out. See more »
A Taxi Driver Review: South Korean Cinema at its best & in its finest form.
Movie: A Taxi Driver (15)
I've been highly impressed long time by Song Kang-ho, and I've been watching many of his movies since later few months. I was highly excited to watch his new historical action drama A TAXI DRIVER, because the trailer was highly impressive. It showed how the film would turn out to be. I just wanted to see it as soon as possible and I finally got the opportunity.
A TAXI DRIVER, without a second thought, is the best South Korean film I've seen till date. From narration to execution to performances to presentation: it's perfect in each and every aspect. The change in the tone of the film has been brought up extremely well, thanks to its director Jang Hoon. The screenplay is never disappointing throughout, and the film comes out as both a refreshing as well as a memorable experience.
The film's editing is top notch as it doesn't take much of time to introduce and set up the characters as well as the storyline. As the film progresses, you find yourself connected to the characters, especially the ones of Song Kang-ho and Thomas Kretschmann. Both actors have delivered extremely excellent performances, and rather so excellent that I ended up rooting for them completely. When they smiled, I smiled. When they cried, I cried too. Rest of the supporting cast, especially Ryu Jun-yeol and Yu Hae-jin deserve a lot of praise.
The film's technical aspects are top notch. The visuals are breathtaking and the story is well captured by a first-rate cinematography. The film's action sequences are another major highlight, as they induce a lot of excitement along with tension as to what would happen next. The film's not extremely violent, and thus I recommend you to watch it with your family. There's no vulgarity or obscenity in this film.
There are plenty of emotional sequences which make the film a totally unforgettable experience. Watch the film and you won't find it difficult to guess which scenes I'm talking about. Various emotional, thrilling as well as action packed sequences have been elevated by the brilliant music.
A TAXI DRIVER is a hard-hitting film which must be seen not just for its overall excellence but also for the message it delivers to its viewers. It's hard and almost impossible to forget the film, as you're left highly emotional & impressed by the time the credits start to roll. In short, a perfect masterpiece from South Korea!
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