Focuses on the Weimar Republic (1918-1933) and its 'collective spirit' in cinema. The purpose of film as a cultural tool is examined. Based on celebrated sociologist Siegfried Kracauer's seminal book 'From Caligari to Hitler' (1947).
Hans Henrik Wöhler,
Idle intellectuals Albrecht, Octavia and Äls, are given to quoting and emulating their philosopher hero, Nietzsche. Albrecht later contracts typhus bringing the foster child gravely ill Äls out of an infected area.
Irene von Meyendorff
The bodies of a boy and a twenty-year-old girl appear nude in the crypt of the Old Cathedral. Unai Lopez de ayala, an expert inspector in criminal profiles, must hunt down the ritual ... See full summary »
The film tells the story of the blond "singing sailor" Hannes Kröger who works in a St. Pauli club on the Große Freiheit 7, and falls in love with a girl. But she prefers his rival Willem and Hannes returns to the sea.
Two female police detectives follow the trail of a mysterious serial killer who chooses his victims among the wealthy class in Madrid and reproduces with the dead bodies the scenes of Goya's Caprichos.
In Nazi Germany, film was considered a major medium for the Nazi Party propaganda machine. While pure propaganda material was not all that was produced by the domestic film industry, there still was a party line to be followed, especially with Propaganda Minister Joseph Goebbels having complete control over the content. This film explores a collection of the most significant artists involved in the medium with clips of the major films produced. Furthermore, the major themes and artistic boundaries of Nazi German films are presented from the regime's beginning in 1933 to its total defeat in 1945.Written by
Kenneth Chisholm (email@example.com)