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Nostalgia (2018)

R | | Drama | 16 February 2018 (USA)
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2:07 | Trailer
A mosaic of stories about love and loss, exploring our relationship to the objects, artifacts, and memories that shape our lives.

Director:

Mark Pellington

Writers:

Alex Ross Perry (screenplay by), Alex Ross Perry (based on a story by) | 1 more credit »
1 win & 1 nomination. See more awards »

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Cast

Credited cast:
Hugo Armstrong ... Jim Singer
Shinelle Azoroh ... Waitress
Annalise Basso ... Tallie
Ellen Burstyn ... Helen
Bruce Dern ... Ronnie
Chloe Farnworth ... Girl in Cafe
Joanna Going ... Marge
Beth Grant ... Anna O'Bryan
Arye Gross ... Riley O'Bryan
Jon Hamm ... Will
Catherine Keener ... Donna
Lindsey Kraft ... Tobey
James Le Gros ... Patrick
Mikey Madison ... Kathleen
Mark Marcarian ... Man
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Storyline

A mosaic of stories about love and loss, exploring our relationship to the objects, artifacts, and memories that shape our lives.

Plot Summary | Add Synopsis

Taglines:

Memories of Lives Lived

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some language | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

16 February 2018 (USA) See more »

Also Known As:

Nosztalgia See more »

Filming Locations:

Santa Clarita, California, USA See more »

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Box Office

Opening Weekend USA:

$15,955, 18 February 2018

Gross USA:

$114,603

Cumulative Worldwide Gross:

$114,603
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color
See full technical specs »
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Did You Know?

Goofs

With the huge fire that burnt down Helen's house, the surrounding trees seems to be unharmed. See more »

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User Reviews

 
Nostalgia - Heavily Leans Toward Melancholia
10 January 2019 | by krocheavSee all my reviews

Could this have been one of the year's most promising off-beat movies? There's much style to be admired, with a good deal of thoughtful dialogue delivered by a cast of impressive performers. So what went wrong? Right from the opening it has the power to draw you in - giving you good reasons to be interested in each introduced character. You actually can't help becoming emotionally involved in their varied situations - you want to feel for them, and hope for the best outcomes as you learn more about their stories. John Oritz might arguably own the movies most interesting character as insurance assessor Daniel Kalman but, there are many good characters and performances introduced as the story/stories continue to unfold. This is possibly where it begins to unravel - it strives for one too many sombre situations, becoming like one of those seventies French dramas - where for one reason or other everyone seems to die. Its heart is in the right place but it's so unrelenting the viewer starts to seek some relief or simply to go back to the beginning and learn more about the earlier characters - who are never heard of again.

There are some interesting observations examining the value we tend to place on 'things', be they photos or artefacts gathered, as we journey through life. The stories have an odd linking device that doesn't work as well as it should, creating an overall episodic feel. Direction, writing style, photography, impressive cast, and thoughtful music score almost save it but fold under the weight of unrelenting loss. Pity, the screen needs more movies with emotional feelings - if only this picture didn't strive to serve up so much in one sitting.


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