A woman returns to her Orthodox Jewish community that shunned her for her attraction to a female childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality.
A confused religious girl tries to deny her feelings for a female friend who's in love with her. This causes her suppressed subconsciously-controlled psychokinetic powers to reemerge with devastating results.
Details the unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created Wonder Woman in 1941. Marston was in a polyamorous relationship with his wife Elizabeth, a psychologist and inventor in her own right, and Olive Byrne, a former student who became an academic. This relationship was key to the creation of Wonder Woman, as Elizabeth and Olive's feminist ideals were ingrained in the character from her creation. Marston died of skin cancer in 1947, but Elizabeth and Olive remained a couple and raised their and Marston's children together. The film is said to focus on how Marston dealt with the controversy surrounding Wonder Woman's creation.
William Marston's granddaughter Christie Marston publicly stated that her family "completely rejects any claims made in the film and in no way support this work of fiction". See more »
William Moulton Marston was portrayed as a spy and in one brief scene reminisces about his military service and things he had seen. However, he received his commission as a 2nd LT on October 22, 1918 just 20 days before the end of World War I. He was stationed at Fort Oglethorpe GA, Camp Upton NY and Fort Lee VA before being discharged on May 19, 1919. Despite his portrayal in the movie, Marston never left the US and never saw the war first hand. Source: Harvard's Military Record in the Great War (1921). See more »
A beautiful story that could have been so much better
Powerful script crafted into a beautiful movie that I liked very much. My only grievance is that the Director chose not to portray all three legs of the tripod in the same light and hence the movie comes across as another romantic movie instead of showing how tantalizingly tumultuous polyamorous relationships are. They are so much more than two human beings of any sex being attracted to each other. Two plus one becomes four or five or so much more but certainly not three. One minute of the scene in a similar vein in House of Cards captures that passion more so than I could locate anywhere in this movie. Hall played her role perfectly and seemed natural in a triad. While this was a missed opportunity, I am glad this movie was made and an interesting story was shared and for that I am very thankful to TIFF and the Director.
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