6.9/10
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The Mustang (2019)

R | | Drama | 19 June 2019 (France)
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The story of Roman Coleman, a violent convict, who is given the chance to participate in a rehabilitation therapy program involving the training of wild mustangs.
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1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
Matthias Schoenaerts ... Roman
Jason Mitchell ... Henry
Bruce Dern ... Myles
Gideon Adlon ... Martha
Connie Britton ... Psychologist
Josh Stewart ... Dan
Thomas Smittle Thomas Smittle ... Tom
Keith Johnson Keith Johnson ... Elijah
Noel Gugliemi ... Roberto
James McFarland James McFarland ... Inmate at Anger Management
Sean Patrick Bridges Sean Patrick Bridges ... Photographer
George Schroeder George Schroeder ... Officer Peters
Gregory Williams Gregory Williams ... Auctioneer
Joseph Bartlett Joseph Bartlett ... Guard at Roman's Cell
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Storyline

The story of Roman Coleman, a violent convict, who is given the chance to participate in a rehabilitation therapy program involving the training of wild mustangs.

Plot Summary | Add Synopsis

Taglines:

Untamed Souls. Kindred Spirits.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language, some violence and drug content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Belgium

Language:

English

Release Date:

19 June 2019 (France) See more »

Also Known As:

The Mustang See more »

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Box Office

Opening Weekend USA:

$71,657, 17 March 2019

Gross USA:

$5,043,620

Cumulative Worldwide Gross:

$6,405,816
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Based on Laure de Clermont-Tonnerre's short film Rabbit (2014), about a female prisoner entrusted with the titular animal as part of a correctional facility's 'pet partnership' program. See more »

Goofs

At the auction in the film, it's stated a horse is sold to the "Las Vegas Police Department." There is no such organization; Vegas' police force is known as the "Las Vegas Metropolitan Police Department" (LVMPD for short). See more »

Quotes

Psychologist: You've been in isolation. What do you think about that?
Roman: I'm not good with people.
See more »

Soundtracks

II Prelude to Love
Written & Performed by Helmuth Brandenburg, Gerhard Narholz (as Otto Sieben) & The Philharmonic Pop Orchestra
Courtesy of APM Music
Published by Vivatone Editions (GEMA)/Sonoton APM (ASCAP)
See more »

Frequently Asked Questions

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User Reviews

 
A lovely tale
19 June 2019 | by FrenchEddieFelsonSee all my reviews

Yesterday evening, I saw this film at a premiere in the presence of the actor Matthias Schoenaerts, the director Laure de Clermont-Tonnerre, the producer Alain Goldman and part of the film crew, within UGC Les Halles, in Paris. Laure de Clermont-Tonnerre and Alain Goldman briefly mentioned the manifold difficulties dealing with the making of a first film abroad. Women in the audience were clearly under the spell of Matthias Schoenaerts who behaved like he was himself under Laure de Clermont-Tonnerre's spell.

Without unduly spoiling the script, Roman Coleman (Matthias Schoenaerts) is incarcerated for aggravated violence. After a decade in prison, most under total isolation, he has the opportunity to benefit from a rehabilitation program involving the training of wild mustangs. But before controlling a wild animal such as a mustang, first you must be able to control yourself. And that's definitely the point. Thus, we see Roman (the prisoner) and Marquis (the mustang) taming to each other, as the fox and the little prince (Antoine de Saint-Exupéry, 1943).

The script is predictable and the taming phase is described as elliptically as naively, but we can easily cope with this secondary observation. Moreover, the cast is excellent, the Belgian actor Matthias Schoenaerts enjoying a legendary charisma and a remarkable aura. He is also perfectly seconded by Jason Mitchell and Bruce Dern. In fact, I was particularly moved by the message of hope transpiring throughout the entire film, a prison being generally reduced to the single status of « let's hide the dust under the carpet », that is to say that as long as the scum is in jail, the society will feel better (it is certainly a plus) but without really worrying about the after-jail (that's weird, isn't it?)

As a synthesis: a lovely tale brimming with beneficence, philanthropy and humanity. 7/8 of 10.


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