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Le Cheval Pâle 

Commissioner Laurence investigates whether the death of Alice's young heiress friend is related to occult powers; adapted from "The Pale Horse".


Olivier Panchot


Sylvie Simon (developer), Thierry Debroux (developer) | 4 more credits »


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Episode cast overview, first billed only:
Samuel Labarthe ... Swan Laurence
Blandine Bellavoir ... Alice Avril
Elodie Frenck ... Marlène
Natacha Lindinger ... Docteur E. Maillol
Olivier Broche Olivier Broche ... Lucien Cornille
Thierry Hancisse ... Eugène Dacosta
Valérie Dashwood Valérie Dashwood ... Sybille
Emilie de Preissac ... Francine Marchal
Anne-Sophie Girard Anne-Sophie Girard ... Lucille Marchal
Laëtitia Kandi Laëtitia Kandi ... Irène
Dominique Thomas ... Tricard
Eric Beauchamps Eric Beauchamps ... Flic Martin (as Eric Beauchamp)
Jacques-Anthony Vienne Jacques-Anthony Vienne ... Hyppolite (as Anthony Vienne)
Bertrand Foly Bertrand Foly ... Père François
Pascual Rodrigue Pascual Rodrigue ... Le Chauffeur


Looking for a love potion to seduce Laurence, Marlène witnesses a psychic reader casting a spell to kill an enemy. Laurence, sceptic, does not believe in occult powers but when Alice's friend, a young heiress, suddenly dies, he needs to investigate the case with open mind. Written by isajademarilyn

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Comedy | Crime | Drama | Mystery







Release Date:

2 September 2016 (France) See more »

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Technical Specs




Aspect Ratio:

1.78 : 1
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Did You Know?


Version of Marple: The Pale Horse (2010) See more »

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User Reviews

The Pale Horse
1 June 2019 | by TheLittleSongbirdSee all my reviews

Love Agatha Christie, who has for a long time been one of my favourite authors. Love detective/mystery series/dramas, of which there are many classics, and every bit as intrigued by foreign language ones than those from the UK/US. Also love the French language, so lovely and poetic and singing in it is great fun and has always been a pleasure. So of course 'Les Petits Meurtres D'Agatha Christie' would have appealed to me.

As has been said more than once, 'Les Petits Meurtres D'Agatha Christie' is uneven and not ideal for fans wanting straight up adaptations of Christie's work, when they are loose adaptations and use the respective stories as a frame work. It is though to me very enjoyable and very intriguing, with a lot to like for those who love murder mysteries, foreign language and mystery mixed with comedy. "Le Cheval Pale" is very loosely based upon 'The Pale Horse', previously adapted for the ITV Marple series. While that adaptation, which wasn't faithful to the book either, was one of the high-ish middle adaptations of that series, did like this more. Also liked it far more than the 1997 version, which was confusing and dull despite good performances and production values.

Would have liked a tighter pace at times, but otherwise "Le Cheval Pale" is great fun and suitably suspenseful with a touch of weirdness.

The writing for Laurence and the chemistry between him and Alice improved enormously in the later Laurence/Avril episodes, and that can be seen with "Le Cheval Pale". Laurence is much more at ease and less obnoxious than seen before, the ill at ease obnoxiousness being a big problem with some of the previous Laurence/Avril episodes. Actually found him quite amusing, like in his chemistry with Marlene (who continues to be a great character with a wonderfully weird subplot and provides much welcome levity) and likeable. Do think actually that his chemistry with Marlene is a little more convincing here. The chemistry between Laurence and Alice still sparkles though and is actually harmonious with the two very different personalities gelling far more than they did previously, again something that was a problem before.

Elodie Frenck is a big standout here in "Le Cheval Pale" and even slightly outshines here the always spirited and charming Blandine Bellavoir. Valerie Dashwood has fun as the juicy character of Sybille.

Production values are typically handsome and so lovingly recreated, makes one nostalgic. The beautiful photography complements expertly. The music matches the light-hearted and at times very atmospheric tone very well. Much of the writing is fun and probes thought, with the light heart and intrigue nicely balanced. The story, taking on the darker and more suspenseful tone that the series was adopting at this point (while still allowing for some nice light-hearted moments that gel surprisingly well, like with Laurence and Marlene), compels with good twists and surprises, with nothing being too simple or too complicated. Despite how that all sounds, the suspense and light-heartedness never feels disjointed or become a tonal muddle.

Overall, fabulous. 9/10

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