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Border (2018)

Gräns (original title)
Trailer
2:31 | Trailer
A customs officer who can smell fear develops an unusual attraction to a strange traveler while aiding a police investigation which will call into question her entire existence.

Director:

Ali Abbasi

Writers:

John Ajvide Lindqvist (based on the short story "Gräns" by), Ali Abbasi (screenplay) | 2 more credits »
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Popularity
2,052 ( 146)
Nominated for 1 Oscar. Another 18 wins & 24 nominations. See more awards »

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Cast

Cast overview, first billed only:
Eva Melander ... Tina
Eero Milonoff ... Vore
Jörgen Thorsson ... Roland
Ann Petrén ... Agneta
Sten Ljunggren ... Tinas pappa
Kjell Wilhelmsen Kjell Wilhelmsen ... Daniel
Rakel Wärmländer ... Therese
Andreas Kundler Andreas Kundler ... Robert
Matti Boustedt ... Tomas
Tomas Åhnstrand Tomas Åhnstrand ... Stefan
Josefin Neldén ... Esther
Henrik Johansson ... Patrik
Ibrahim Faal Ibrahim Faal ... Vårdbiträde
Åsa Janson Åsa Janson ... Sjuksköterska
Donald Högberg Donald Högberg ... Receptionist
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Storyline

Tina, who has grotesque, almost animal-like physical features, has always felt self-conscious about her looks. Regardless, she has: a live-in boyfriend, Roland, a dog trainer, at her isolated house in the woods, although they have never had sex, and Tina's father, who is in the early stages of Alzheimer's, believing he is solely using her; the unconditional love and support of her father; a small group of friends; and the admiration of her bosses and coworkers in her job as a customs agent at the airport, as she is literally able to "smell" human emotions, especially guilt and fear. It is using that innate ability that she stops a seemingly straight-laced person entering the country, he who was found to be carrying a memory card containing child pornography. As such, her immediate supervisor, Agneta, places her on a small investigative unit to discover the producers of this material. Tina is surprised when she is found to be incorrect about another person going through customs, Vore, ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Sense Something Beautiful


Motion Picture Rating (MPAA)

Rated R for some sexual content, graphic nudity, a bloody violent image, and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

Sweden | Denmark

Language:

Swedish | English

Release Date:

26 October 2018 (USA) See more »

Also Known As:

Border See more »

Filming Locations:

Kapellskär, Norrtälje, Sweden

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Box Office

Opening Weekend USA:

$73,700, 28 October 2018

Gross USA:

$771,930

Cumulative Worldwide Gross:

$2,063,217
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Blu-ray)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Official submission of Sweden for the 'Best Foreign Language Film' category of the 91st Academy Awards in 2019. See more »

Goofs

In the end credits "Stockholms Hamnar" (Stockholm Harbors) is misspelled as "Stockholms Hamner". See more »

Quotes

[last lines]
Tina: I don't see the point of evil.
Vore: So you want to be human?
Tina: I don't want to hurt anyone. Is it human to think that way?
See more »

Connections

Featured in The Oscars (2019) See more »

Soundtracks

Golden
Performed by Amanda Bergman
Music by Amanda Bergman
See more »

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User Reviews

 
Unique and fascinating
13 January 2019 | by proud_ludditeSee all my reviews

Tina (Eva Melander) works as a Swedish border agent. She has animal-like features that include the ability to successfully detect fear, guilt, and shame in troublesome border crossers. As the film progresses, she is asked to use her special abilities to expose a child pornography operation. During this time, she also meets another human with animal-like characteristics.

Melander is in almost every scene and she more than lives up to the difficult task of keeping the film fascinating. Even in extended moments of routine home life, the film is always engaging thanks mainly to Melander and director Ali Abbasi. The film may indeed be bizarre but it is always intriguing.

It takes on many themes though perhaps too much as there are various loose ends by the conclusion. But it goes into territory that is rarely explored: the isolation felt by beings (troll-like humans in this case) who are different from most people they encounter. As Tina meets someone like her, she goes through a coming-out self-discovery. This narrative is at least as fascinating as the crime story.


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