Sean Haggerty only has an hour to deliver his illegal cargo. An hour to reassure a drug cartel, a hitman, and the DEA that nothing is wrong. An hour to make sure his wife survives. And he must do it all from the cockpit of his Cessna.
Told from Igor's perspective, we see the troubled young assistant's dark origins, his redemptive friendship with the young medical student Viktor Von Frankenstein, and become eyewitnesses to the emergence of how Frankenstein became the man - and the legend - we know today.
Jessica Brown Findlay
Idealistic FBI agent Nate Foster goes undercover to take down a radical white supremacy terrorist group. The up-and-coming analyst must confront the challenge of sticking to a new identity while maintaining his real principles as he navigates the dangerous underworld of white supremacy.Written by
Both Burn Gorman (Morgan) and Nestor Carbonell appeared in the Dark Knight Trilogy. Gorman portrayed Stryver while Carbonell portrayed the mayor of Gotham City. See more »
When Johnny is speaking with the school students highlighting the error of his ways, his hair has grown back. Nate stands at the back of the class, wearing his old glasses, but he has maintained his skinhead. This makes little sense in regards to continuity of his character. See more »
On Screen Text:
[first lines, the text that appears on screen]
Words build bridges into unexplored regions. -Adolph Hitler
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Daniel Radcliffe as a FBI agent and an extreme white supremacist, now that was a film I really had to see. Personally, I love undercover stories as they have inbuilt elements of excitement and uncertainty. You're wondering constantly whether the covert operation is going to be a success or a failure.
Even with a shaved head and gangster clothes, Radcliffe lacked menace, fury and vitriol one might expect from a white supremacist. His eyes emanate a childlike innocence that is difficult to overcome even by vulgar behaviour and foul language. He doesn't astound, but I was quite engrossed in his performance. I cared about him and I wanted him to succeed.
I would have loved to see a deeper examination of infiltration strategies than what was in this film. It employs tips from the well – known book: Dale Carnegie's 'How to win friends and influence people', and doesn't go beyond that. By being as simple as it is, it takes away the intrigue of an undercover story.
There were some nail-biting scenes and clever dialogue that held my attention. We do get to delve into the mindsets of several white supremacists. The finale, however, felt very rushed. It came across as very sudden and I questioned its plausibility. It seems that the writers just needed a quick and thrilling end to the story without considering whether it is consistent with what they have developed earlier, both story and character wise.
I admire Radcliffe's tenacity to take on such a role. Even though the film wasn't a profound artwork, he does well in trying to break the seemingly immutable image of him as Harry Potter. Anyone who is used to seeing him as the boy who lived would be pleasantly surprised.
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