Set in the near-future, technology controls nearly all aspects of life. But when Grey, a self-identified technophobe, has his world turned upside down, his only hope for revenge is an experimental computer chip implant called Stem.
Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
Dr. Louis Creed and his wife, Rachel, relocate from Boston to rural Maine with their two young children. The couple soon discover a mysterious burial ground hidden deep in the woods near their new home.
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
On the eve of D-Day, the 5th of June, 1944, several American paratroopers are dropped behind enemy lines to carry out a mission crucial to the invasion's success: destroy a radio tower built in a little castle of an old French town that the Third Reich uses for communication between Berlin and Normandy beaches' bunkers. Due to the intense enemy fire, the planes are shot down and most soldiers die in the landing or are killed by the Nazis' night patrols after they land. However, a private named Ed Boyce survives to find Corporal Ford, a last-minute incorporation from Italy and a veteran expert in bombs and explosives, rogue sniper Tibbet, war photographer Chase, and finally private Dawson. After they watch the killing of their superior Sargeant Eldson by a Nazi night patrol, Ford becomes leader of the group and they try to get the town with the tower in order to complete the mission. In the forest close to the town they meet Chloe, a villager who assists the soldiers in her home with ...Written by
Confirmed by J.J. Abrams at the Paramount CinemaCon presentation on April 25, 2018, that the film is, in fact, not an entry in the Cloverfield franchise, despite initial speculations. See more »
Unfortunately there were no African American members of the 101st Airborne or the 82nd Airborne in World War Two. See more »
[holding Wafner's gold lighter after using it to ignite some explosives]
I think I'm now done with this
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After the film was given the restricted R18+ rating in Australia, Paramount Pictures decided to edit out almost 1 minute of footage to lessen the violence for the cinema version. The subsequent re-submission got the film a more accessible MA15+ rating. Although this version never ended up getting released due to Paramount Pictures changing their minds to instead give the original R18+ rated cut to cinemas. See more »
This is not the first time when J. J. Abrams put the finances into the risky project (remember "Cloverfield"), but this is definitely a curious choice for such a filmmaker. "Overlord" is the rare hybrid of a WWII film and a zombie horror - kind of movies that were prosperous back in 1970s and early 1980s, but has been long gone since then. And even in those times most of them were cheap and cheesy exploitation films, full of gore and nudity. (And yes, lots of people nowadays will think not of grindhouse cinema, but rather of "Call Of Duty" or "Wolfenstein" game series, which is an obvious point of reference here.)
And "Overlord" nearly perfect in assembling those pieces of a Nazi zombie horror movies into one single story. The plot is simple, action-packed and has it all: lots of fighting, shootings, machine guns and flamethrowers. The characters are schematic, almost one-dimensional, because it's not WWII drama, and that's enough. The SFX are great, there's a lot of blood and guts here, exactly what one can expect from a film which involves Nazis, experiments with (un)dead, and covert military operation.
However, there's some minor but annoying mistakes in presentation of some important plot elements, which hard to left unnoticed. Perhaps the most striking example of such retroactive anti-militaristic message is when Cpl. Ford decides to stop Nazis once and for all near the end of the film: his attitude looks a bit anachronistic in 1940s and such views for an U.S. soldier were much more credible rather after Vietnam War than during the WWII. There's also a very implausible fight between two main characters before the final onslaught, which looks ridiculous within the context of the upcoming Overlord operation.
But it all can easily be put aside, because "Overlord" is the Nazispoltation at its best: dark, bloody, action-driven horror about zombie soldiers trying to take over the world. Take it for what it is, and have fun.
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