Twelve years after the tragic death of their little girl, a doll-maker and his wife welcome a nun and several girls from a shuttered orphanage into their home, where they become the target of the doll-maker's possessed creation, Annabelle.
A prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.
In 1967 Los Angeles, a young widow named Alice Zander works out of her suburban home as a spiritual medium, accompanied by her daughters, 15-year-old Paulina "Lina" and 9-year old Doris. The family is still reeling over the recent death of Roger, Alice's husband and the kids' father. At Lina's suggestion, Alice incorporates a Ouija board into her readings. While trying out the board, she unknowingly contacts a spirit named Marcus that begins to possess Doris. Alice receives a notice that the bank intends to foreclose on their home. Doris contacts the board for help, believing she is communicating with her dead father. The spirit leads her to a secret compartment behind the basement wall containing a pouch of cash. When she gives the money to her mother, the family has an Ouija session, believing they can contact Roger. When the board answers a question only Roger would know the answer to, a thrilled Alice begins believing that they are in contact with her dead husband..
In the first movie, to which this is a prequel, this film's events are stated to have occurred in the late 1940s or early 1950s - an onscreen newspaper article dates them to 1952. This movie is explicitly set in 1967. See more »
[At 40:00 Doris comes downstairs from bed to Ouija Board on table]
As friends who have gathered... blah... blah... blah. What happened to my neck?
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The scrolling end credits are fish-eye warped as if viewed through an Ouija board lens. See more »
Where You Are Is Where I'm Going to Be
Written by Elijah Honey (as Paul Robert Cufflin)
Performed by Elijah Honey
Courtesy of Crucial Music Corporation See more »
A pretty captivating little horror flick, and beautifully shot
I wasn't really expecting much from this one. The IBDb rating was pretty low, the title is a bit cheesy, and the writers, directors and cast are not exactly A-listers. None of that mattered though as this one was actually pretty good.
First off, the scenes were beautiful. It was like watching a warm sunset. In addition, the direction and camera angles really enhanced the suspense and intensity. The special effects were also top notch and at one point I was like, "Whaaaat? That is cool".
I was pretty captivated throughout, although it did have it's clunky moments but not too many of them and they quickly worked their way out of them.
The cast did a superb job with the young Lulu Wilson pretty much stealing the show. I'll most likely be seeing her again in my nightmares. Annalise Basso, Elizabeth Reaser and Henry Thomas also did an excellent job so I don't want to sell them short either.
Overall this was a pleasant surprise with moments of nail-biting suspense. Definitely worth the watch on a dark and quiet night. Oh, and one other reviewer mentioned not watching the preview. I didn't so that might have helped.
33 of 46 people found this review helpful.
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