Can't Cope, Won't Cope is a darkly comic drama detailing the unravelling of a friendship between two co-dependent young women as the hangover wears off and their lives and priorities begin to radically diverge.
Eager to escape life with her depressive single father, 16-year-old athlete Cyd Loughlin visits her novelist aunt in Chicago over the summer. While there, she falls for a girl in the ... See full summary »
Paul Brian Fagen
A journey into the minds and hearts of a group of idealists and careerists as they take their separate paths in life. They believe they are the best of friends, yet they are alone and in a state of exile.
A young woman Joey is in search of direction in her small town. A visit to an army recruiting office appears to provide a path, but when she meets and falls in love with Rayna that path diverges in ways that neither woman anticipates.
Seventeen-year-old Anne just fell in love with Sasha, the most popular girl at her LA public high school. But when Anne tells her best friend Clifton - who has always harbored a secret crush - he does his best to get in the way.
'Mad' Mary McArdle returns to Drogheda after a short spell in prison - for something she'd rather forget. Back home, everything and everyone has changed. Her best friend, Charlene, is about to get married and Mary is to be her maid of honour. When Charlene refuses Mary a 'plus one' on the grounds that she probably couldn't find a date, Mary becomes determined to prove her wrong. 'A Date for Mad Mary' is a tough and tender story about friendship, first love, and letting go of the glory days.
Jess's hair changes from scene to scene: sometimes it is almost entirely blonde, with just a small amount of dark hair at the roots, and in other scenes (most notably when she gets the bus home with Mary) there is over three inches of dark hair at the root. See more »
Performed and written by SJ McArdle (IMRO)
Licensed courtesy of SJ McArdle See more »
Could have been five, but missed a few details. First, the title doesn't describe the essence of the story. Second, the cover doesn't covey it either. OK, picky points over. Third, the ending (some directors are prone to this cutesy & nebulous non-creative trick) leaves the viewer hanging, e.g. wasn't clear who was on the phone. Fourth, we didn't get enough of the background of Mary's character and what sent her to jail. One of the central themes is the transformation of Mary which for some viewers to understand requires more background. The disfigurement of a person is not a trivial matter to not address. Won some awards at an Irish film festival.
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