Jong-su bumps into a girl who used to live in the same neighborhood as him, who asks him to look after her cat while on a trip to Africa. When back, she introduces Ben, a mysterious guy she met there, who confesses his secret hobby.
1930s Korea, in the period of Japanese occupation, a new girl (Sookee) is hired as a handmaiden to a Japanese heiress (Hideko) who lives a secluded life on a large countryside estate with her domineering Uncle (Kouzuki). But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions.Written by
Several of the characters in this film, adapted from the novel Fingersmith by Sarah Waters, were significantly altered for this version's script. Gentleman (Count Fujiwara in the film) was a gay man in the novel whose interest in Maude (Lady Hideko) was purely monetary. In the film, the Count is a suave womanizer. Uncle Kouzuki's novel counterpart is tamer, although he isn't a saint, he was never evil and prone to cold blooded torture like his film counterpart. See more »
In the hotel scene in Part Three, the Seiko Solar wristwatch Lady Hideko glances at was not introduced until the 1980s. See more »
Men are disgusting. Why do you always think of those things?
You're asking me about how I think? You think that all I'm interested in is your body? Is that so? You definitely have been reading too many of those erotic writings! If there's anything I do want from you it's not your eyes, hands, or ass, but your money. You having the first is money. Talking and teasing an aristocrat like you is so fun!
See more »
During the credits, the moon on the wall in the background shifts from full to new. See more »
Extended version runs approx. 21 minutes longer. See more »
The Korean legend returns; more debauched than ever, but funnier too.
I saw this tonight at London Film Festival and Park Chan Wook was there, to answer Q&A. A very special moment to me.
I would advise anyone new to Park Chan-Wook's filmography to first explore his vampire flick 'Thirst' which has a similar style. 'Oldboy' is a cult classic, but more of an opium-filled, octopus eating thrill-ride, which this film is NOT, so be advised. I also think having SOME knowledge of Japanese rule in Korea is essential for understanding this film, or it will be above your head. Do some surface-level research on Japanese annexation of Korea and specifically the infamous 'comfort women'.
Completed that? OK now you're ready for this journey.
Now let's focus on the best part. The villain. This IS the best villain in recent memory. Seriously as far back as Hannibal Lecter. Uncle Kouzuki, is more creepy than Burton's Penguin. Compulsory viewing. I cannot mention anymore out of fear for spoiling the intricate plot. Highly recommended.
50 of 79 people found this review helpful.
Was this review helpful to you?
| Report this