Sydney homicide detective Eve Winter (Rebecca Gibney) solves tough, high profile cases with cool intelligence, fighting bureaucracts, criminals and plenty of advances - unwanted and wanted - to catch her prey.
A police detective finds herself at the centre of the most dangerous case of her life when she is seconded on to the investigation into the murder of a drugs trafficker. What nobody around ... See full summary »
Cat Hogan returns to West Meath upon her mother's sudden death - she has an accident at home and died (or was it an accident?). Blood is about old secrets, older betrayals, mind games and the lies family tell each other.
An eighteen-year-old struggling to integrate into a hearing world following cochlear implantation witnesses the murder of a police officer. The subsequent investigation unravels a net of police corruption.
Leeds police constable Jo Gillespie is devastated when her husband, undercover officer Ryan, is killed in suspicious circumstances. As she battles to stay strong for the benefit of daughter Melly and stepson Hal, Jo is urged by her bosses, DCI Will Hepburn and Chief Constable Carolyn Jarecki, to leave it to her fellow officers to find the killer. But when the murder inquiry starts to uncover some dangerous secrets about Ryan, Jo's faith in the police family of which she has been a part for so long is severely tested. No longer sure who to trust, Jo embarks on her own investigation with the help of friend and colleague Jack Clark, but as they close in on the identity of Ryan's killer, Jo's hunt for the truth will put her own life in danger.
Far above mediocrity, but still not among the finest UK miniseries
For decades, the UK has produced so many high-class crime dramas, that it is impossible to "shoot without fail" all the time. Tastes develop, as well as circumstances, and viewers may move beyond the approaches and issues they used to like in Poirot or Morse, for example, or have begun to like "new age" in the form of Luther or Prey... Black Work is a kind of related mix, but worrying and grief overshadow other elements, including credibility, several male performers are too look-a-like, and the final 20 minutes or so add unnecessary sophistication.
True, Sheridan Smith as P.C. Jo Gillespie is catchy and the background realism is up there, but I am able to "blurt out" dozens of more interesting (mini)series I have seen in recent years. To me, Black Work is more a long film than series, and when you see all 3 episodes in a row, you could realise that many scenes and dialogues could have been more compact.
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