After blooming with her new tv show, Dona Hermínia must deal with the problems of her grown up kids as she realizes they are Leaving home. In the middle, she must face the struggles of ... See full summary »
The immature and cheap douche bag Fábio Clóvis marries the pseudo-intellectual Miá and they travel in a cruise to Europe on board of a fancy passenger vessel. Fabio and Miá are invited to ... See full summary »
The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. ... See full summary »
Picks up with Fábio and Miá three years after their wedding took place after dating for only one month. Stressed out in having to deal with their many differences, they decide to travel to Portugal in an attempt to save their marriage.
Keyla the police officer and the unprepared detective Claudio could not be more incompatible. However they are forced to form a duo to solve the series of mysterious murders that are happening in the quiet city of Joinlândia.
Kika K is a successful star with millions of fans, but behind the scenes, she is in personal and professional crisis: she has to deal with an obsessive fan, a boyfriend with no concept, ... See full summary »
Being advertised as a standard Brazilian, apparently brainless rom- com, this may be one of the few nation-release movies worth the ticket.
Characthers seem really one-dimensional at the start, but, as the story goes, they are fast-paced developed. The three-woman-conflict seem a little forced at most situations, but it perfectly converges into something thoughtful towards the end.
Ingrid Guimarães, known as one of the best (and most original) Latin comedians, makes room for Suzana Pires (a nice performance as the naughty lover) and Tatá Werneck, who gives her sharp-tongue, Christian Maria some extra layers of originality. Fabiana Karla, as a stereotyped lesbian, adds some efficient extra comic relief.
Short, but using most of its running time smartly, the Saback- Spadaccini screenplay may be one of the wisest ever written. It drives the public into the exact wrong conclusions they wanted to induce when it wants.
Problems are few, but they resonate during the movie. Some jokes are really country-ish, as it happens to most of movies made in Brazil. While it makes the movie a little misunderstood if seen with subtitles, it becomes no less enjoying. And the obsessive use of Pharrell's "Happy" may be one of the few mistakes, making it look like they couldn't license more songs (it plays 4-5 times during the movie).
While the promo material advertises it as a Latin "The Other Woman (2014)", it goes way further than the Cameron Diaz-driven comedy. Its hidden psychological background may be the best thing about this motion picture. It goes a little darker - and a lot deeper.
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