Angela and her young son Guille travel to the big city to see Leo, her father and the boy's grandfather, when he suddenly takes ill. However, they arrive to discover that he has just passed... See full summary »
Ramiro Forteza, a goalkeeper in the Spanish Premier League, is forced by the rigors of the Civil War and the postwar period to earn a living in small villages, challenging the locals to ... See full summary »
Interwoven emotions and struggles of three women of different generations aiming to build the lives they desire, their own future, love and dreams. All of them lose the love of their lives ... See full summary »
American writer in Paris is hired to do a script for an edgy young director he can't stand. When he falls in love with the director's cold and manipulative pretty sister, his life starts to unravel and he realizes that he's been used.
Year 1974, Spain. Felipe (Fernando Ramallo) is a teenager who travels with Lorenzo (Antonio Resines), his widowed father. Their only property is the Citröen DS with which they go from one ... See full summary »
Emilio Martínez Lázaro
April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, ... See full summary »
Violet is a shy teenager who dreams of escaping her small town and pursuing her passion to sing. With the help of an unlikely mentor, she enters a local singing competition that will test her integrity, talent and ambition. Driven by a pop-fueled soundtrack, Teen Spirit is a visceral and stylish spin on the Cinderella story.
In 1814, Regency-era London, Mary Wollstonecraft-Godwin is a 16 year old aspiring writer working in the bookshop of her father, renowned writer William Godwin, now re-married to Mary Jane Clairmont after the passing of his first wife, philosopher Mary Wollstonecraft. Mary Jane's daughter, Claire Clairmont and Mary have become close stepsisters. Whilst visiting Scotland at the house of one of William's friends, Mary meets the 21 year old poet, Percy Bysshe Shelley, and an instant attraction sparks between them. Returning to London a little time later, Mary unexpectedly meets Percy again when he appears at her house, asking William to take him on as an apprentice. Fascinated by Percy, Mary begins a bohemian and torrid relationship with him, despite the opposition of her father and her stepmother, especially after they discover Percy is married with a daughter whom he supports but no longer loves. Determined to be free and live on her own terms, Mary flees with Percy to live together, ...Written by
Chockys, updated by Shannon Britton-Jones
In one of the scenes that take place during the stay of Mary in Scotland, while the characters walk through the field, a group of lumberjacks is cutting logs. But although they raise the ax and the blow is heard, it is clear how their tool does not touch the wood. See more »
Evidently you are a stranger to scandal, Miss Godwin. Did you know I ran away with Percy when I was a girl? Idealism and love give us courage. But they do not prepare you for the sacrifice required to love a man like Percy.
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Even though the movie is clearly based on real people, including of course Mary Shelley, Percy Bysshe Shelley, Lord Byron, Claire Clairmont and many others, the end titles include the ridiculous disclaimer that "The characters depicted in this motion picture are fictitious, and any similarity to the history of any person is entirely coincidental." See more »
Frankenstein is one of the greatest novels ever written. It was brilliantly conceived and executed and significantly ahead of its time. The Hollywood-ization of this novel is usually lacking all merit of the work, missing the novel's primary question: who was the greater monster-- the creature or the doctor?
This movie takes great liberties in dramatizing the life of the author prior to her writing the book. It does so fairly well-- to the point of discomfort in how women were viewed and treated in those intellectually stimulating but socially dark times. The climate of England and surrounding areas was one of bigotry, inequality and extreme prejudice. This film presents the despair of such times quite well, drawing the viewer into the potential feelings of the author when writing the book.
That is the weakness of the film: it is largely conjecture. As a work of fiction it does reasonably well. Lovers of gothic romance may be entranced (if unsettled) by the presentation and emotional darkness of the film. For what the writers and directors were attempting, they achieved to an extent. However the storytelling is somewhat interrupted and set back by unwarranted flashbacks and other film gimmicks that detracted from the reality of the story. One such gimmick is nowhere more obvious than at the very end of the film where they present a spoken line quite important to the movie-- AFTER text blurbs discussing the lives of the main characters. Such was poorly done and interrupted the flow of the movie right at the end-- in my opinion an unforgivable sin in movie making. (I might have given this another star were it not for that significant flaw in directing.)
As to the accuracy, that is likely irrelevant. This is a dramatization, and that's the simple truth of it. Whether the story is accurate or not is secondary to achieving its purpose. It tells the intended story decently-- just not well enough to draw in the viewer and make itself believable. It focused too greatly on inconsequential things of no matter to the story, and too little on issues of potential greatness. As such it was worth watching, but viewers might not expect storytelling anywhere near the expertise of the original novel.
To the viewer who wrote of hating the novel and enjoying the Hollywood monster movies much more-- everyone has personal opinions, but it is a sad situation when a novel the quality and impact of Frankenstein is not understood and appreciated, more so when publicly boasted.
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