Imagining himself back in the 1890s, Sherlock is visited by Inspector Lestrade after newlywed Emelia Ricoletti, having apparently killed herself in public, murders her husband Thomas in front of witnesses before vanishing. Some months later Holmes is approached by Lady Carmichael, who tells him that her husband Sir Eustace has been threatened by Emelia, who then seemingly does away with him. With an intrusive Moriarty crossing him, Holmes attempts to solve the enigma, with unexpected help from Watson's wife Mary and evidence of a conspiracy involving half the population of the country.Written by
don @ minifie-1
When John and Mary are arguing at 221B Baker Street, Sherlock is playing the violin composition he had written and performed for their wedding, as seen in Series 3, Episode 2: "The Sign of Three." See more »
When Holmes and Watson break into Sir Eustace's manor house after sighting the ghost, Holmes uses an electric flashlight. The invention of the dry cell and miniature incandescent electric lamps made the first battery-powered flashlights not possible until around 1899, more than a decade after the scene is set. See more »
I did not fully get it the first time but when I watched it again, it all started making some sense to me. It may be difficult for those who are not devoted fans of this series to fully grasp the craziness of this episode, but once you open your eyes to the genius of the writers' intent on what they were trying to achieve here, I could not keep my eyes off the show and found myself watching it over and over again. If the writers of series simply made this an one-off episode to truly stick to the original storyline, then there would be numerous critical remarks about how the writers settled for the comfort of predictability and made the whole plot so ordinary and boring. Before shooting at the TV screen and calling it 'stupid', one may want to watch it one more time and there will be that "a-ha" moment!
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