In 1888 Amsterdam, a stubborn violin maker and his pharmacist cousin face hardship and tragedy as they oppose the powerful businessmen who plan to force him from his house and erect a luxurious new hotel in its place.
The film tells the love story between Hans (Barry Atsma) and Margje (Noortje Herlaar) - sweethearts since school. Hans grows up in a strict religious environment, with a brutal father. He ... See full summary »
The story about Riphagen, a cunning Dutch traitor during WW2 who helped Nazi round up Jews, stealing their treasures for himself. He destroyed Resistance groups, making many who pursued justice after the war look like fools.
Jeroen van Koningsbrugge,
On June 28, 1914, Archduke Franz Ferdinand of Austria is in Sarajevo with his wife, Sophie. While through the city by car, they are victims of an attack and die. This is the trigger of the First World War.
Netherlands, 1938. In a small town in the province of North Brabant called Oss, Johanna wants to change her life and quit the criminal gangs of the town. The harder she tries, the more she is involved.
André van Duren
In the late 19th century, Peter Sidenius is an ambitious young man from a devout Christian family in Western Denmark, who travels to the Danish capital of Copenhagen to study engineering, ... See full summary »
1888: a luthier, Vedder (Gijs Scholten van Aschat), has to step aside when his home, opposite the recently completed Central Station in Amsterdam, must yield for the planned Victoria Hotel. His cousin Anijs (Jacob Derwig), pharmacist in the Northern provinces of the Netherlands, has gotten into a fix after illegal medical practices, and is looking for a way out. For himself and his wife Martha (Rifka Lodeizen), but also for a colony of poor peat cutters whom he promises a future in the United States. Committed - or is it pride? - the two of them think up a scheme from which they all will fully benefit. With tragic consequences.Written by
Three story lines, maybe effective in the book but not in this movie. The most interesting part, only 30 minutes, is the struggle between the protagonist trying to sell his shop and the investor who doesn't want to pay what the shop owner is asking. The rest seems only padding to fill it up to feature length. To bad, because the eye candy is satisfying, i.e. the image of old Amsterdam.
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