As he dreams of moving to Australia with his daughter to become a pastry chef, a Parisian small-time drug dealer accepts a one-time only, big cocaine deal. What starts as a simple score becomes a tale of survival in the local criminal underworld.
Andy made a deal with a demon. He manages a small but ambitious Italian eatery called Scoppa. The demon's black magic lures patrons to the restaurant; in return, Andy feeds guests to the ... See full summary »
Eric Ford Holevinski
Mark Robert Turner,
Matthew Thomas Burda
A black comedy centered on the real events of the kidnapping that became a viral phenomenon with millions of live followers. Inspired by actual events occurred in Uppsala during Christmas ... See full summary »
Frank, Sara and their two children have recently moved into the house of their dreams on the countryside. Frank is disturbed by mysterious sounds and somebody tears down the wallpaper from ... See full summary »
After giving up a life of cocaine trafficking, a man (Dan) vows to stay on the straight and narrow. But he's offered a one-time opportunity to achieve his life dream : moving to Australia with his daughter. He accepts the deal and starts a downward spiral sucking him back into 24 hours of hell where he has to save his daughter and survive by any means.Written by
Dan Bronchinson basically plays a fictionalized version of himself. During a screening at the Brussels International Fantastic Film Festival 2015, he remarked that 'about 75%' of the story was true. See more »
Sometimes that sounds easier than it is. Like in this case. Or best laid plans as they say. But I really liked the movie. I like the roughness, the not holding back (violence wise it really gets mean and really can grip you too). Of course a lot of things happen in a short time, which some might feel (rightfully so), to be unlikely. But it is a movie and a short one at that, and it does a really good job selling us the frantic pace it sets out for itself.
The acting is OK, the cinematography is fitting for the raw nature of the movie. All those things go hand in hand with the directing and the tight script. Again: All considering this isn't a big budget movie and of course not a classic. But not every movie has to be (or can be) a classic. It's more than enough to do a good job and entertain the viewer - one way or another
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