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Allied (2016)

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In 1942, a Canadian intelligence officer in North Africa encounters a female French Resistance fighter on a deadly mission behind enemy lines. When they reunite in London, their relationship is tested by the pressures of war.

Director:

Robert Zemeckis

Writer:

Steven Knight
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Popularity
1,492
Nominated for 1 Oscar. Another 1 win & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Brad Pitt ... Max Vatan
Vincent Ebrahim Vincent Ebrahim ... Driver in Desert
Xavier de Guillebon Xavier de Guillebon ... Claude
Marion Cotillard ... Marianne Beauséjour
Camille Cottin ... Monique
Michael McKell ... German Officer at Anfa Café
Vincent Latorre ... Vincent (as Vincent La Torre)
Fleur Poad Fleur Poad ... Hobar's Secretary
August Diehl ... Hobar
Miryam Hayward Miryam Hayward ... Moroccan Girl
Iselle Rifat Iselle Rifat ... Moroccan Girl
Aysha Kanayo Aysha Kanayo ... Moroccan Girl
Anton Blake Anton Blake ... German Ambassador
Daniel Betts ... George Kavanagh
Sally Messham ... Margaret
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Storyline

At the height of World War II, in turbulent 1942, the fearless Wing Commander, Max Vatan, lands on the desert dunes of Morocco to meet with the Parisian member of the French Resistance, Marianne Beauséjour. After a botched attempt to eliminate an elusive target during a suicide mission in the heart of Casablanca, Max and Marianne flee to England intent on starting a family soon; however, heavy clouds of distrust and suspicion will burden their already difficult relationship, when Max receives a shocking call from the Secret Service Division. In disbelief--with a terrible task in his hands, and crushed under a devastating dilemma--Max must summon up the courage to seek for answers in the perilous streets of a bombarded London, regardless of the outcome. Now, amid duty and love, who shall live and who shall die? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

The enemy is listening See more »


Motion Picture Rating (MPAA)

Rated R for violence, some sexuality/nudity, language and brief drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English | French | German | Arabic

Release Date:

23 November 2016 (USA) See more »

Also Known As:

Five Seconds of Silence See more »

Filming Locations:

UK See more »

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Box Office

Budget:

$85,000,000 (estimated)

Opening Weekend USA:

$12,701,743, 27 November 2016

Gross USA:

$40,098,064

Cumulative Worldwide Gross:

$119,520,023
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

This is the 18th film to be directed by Robert Zemeckis. See more »

Goofs

Max starts his late 1930s or early 1940s car with an ignition key starter. A key and either a dash button or floor pedal would have been needed before 1949. See more »

Quotes

Max Vatan: What are you doing?
Marianne Beausejour: [blouse unbuttoned] Testing you. The way you tested me. I know you're armed with a weapon, Mr. Vatan, I'm just checking your safety catches and range.
Max Vatan: [chuckles]
Marianne Beausejour: There, we had our first fight. Now we're okay then, yes?
Max Vatan: Marianne, we both know people fucked each other, and they fucked up, but now they're fucking dead.
Marianne Beausejour: Well, that's a lot of fucks.
Max Vatan: Button yourself back up.
Marianne Beausejour: [buttoning her blouse] Actually, Max, mistakes make people in these situations isn't fucking. It's a feeling.
See more »

Crazy Credits

The first few closing credits are a massive font size. See more »

Connections

Referenced in Lorraine: Episode dated 19 October 2016 (2016) See more »

Soundtracks

J'attendrai
Music by Dino Olivieri
EMI Music Publishing France, S.A.
See more »

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User Reviews

 
Disappointing and superficial
24 November 2016 | by nickapopolis87See all my reviews

This movie seems like a long montage, you never feel engaged with the characters or the story as it races through plot points then plods through others. The effects seem dated, in that it's noticeably fake, which often draws you out of the story. Cotillard is strong, Pitt less so. The story itself has been done and and done better. The writing is a little lazy and predictable. One strange inclusion is that it makes a point of introducing Pitt's character's sister. She seems to serve no point and it feels like something is missing. As a (Southern Hemisphere) summer "blockbuster" it will probably fare well but when compared to some of 2016's more tense and visually appealing movies, like Norturnal Animals, it falls flat.


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