Person of Interest (2011–2016)
4 user 1 critic
Reese, still despondent over Carter's death, boards a flight to Europe and gets a cryptic message on a cellphone about a passenger who is supposed to be just a low level programmer, but is the target of a drug cartel and the Mossad.


Stephen Williams


Jonathan Nolan (created by), Melissa Scrivner-Love (as Melissa Scrivner Love) | 4 more credits »




Episode cast overview, first billed only:
Jim Caviezel ... John Reese
Kevin Chapman ... Lionel Fusco (credit only)
Amy Acker ... Root (credit only)
Sarah Shahi ... Sameen Shaw
Michael Emerson ... Harold Finch
Sally Pressman ... Holly
Samm Levine ... Owen Matthews
Boris McGiver ... Hersh
Marc Kudisch ... Businessman
Bill English ... Foster
Adam Henry Garcia ... Carlos
Lucy Martin Lucy Martin ... Older Lady
Maechi Aharanwa ... Gate Agent
David Anzuelo ... Colombian
John E. Brady John E. Brady ... Second Marshal


Under the assumed name John Wiley, Reese is making his escape from his life with Finch and the Machine by taking a one-way flight to Istanbul. He is however diverted onto another flight via Rome. Initially believing it is all Finch's doing, Reese soon learns that he was placed onto that Rome flight by the Machine, who provides him with the next number in the form of a seat number on the plane. "4C" is occupied by a young man named Owen Matthews, who is accompanied by who Reese recognizes as two federal marshals. Reese initially has no intention about doing anything about Owen until the two marshals are taken out. With Finch's help and direct questioning, Reese learns that Owen is involved with a case of an online drug ring headed by a man code named Sphinx, Owen the site designer who is the only person who can identify Sphinx. Reese and Finch learn that there are many people on the plane after Owen, the only person who Reese trusting being the first class flight attendant, Holly. ... Written by Huggo

Plot Summary | Plot Synopsis


TV-14 | See all certifications »





English | Hebrew | Italian

Release Date:

14 January 2014 (USA) See more »

Company Credits

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Technical Specs


Sound Mix:




Aspect Ratio:

16:9 HD
See full technical specs »

Did You Know?


VoIP (Voice Over Internet Protocol) is a technology that enables communication and multimedia sessions to other parties via connection to the internet. Communication services (voice, fax, SMS, voice-messaging) are converted from analog audio signals into digital data that can be transmitted over the internet. See more »


Prisoners transported on airplanes are never placed in first class, but instead at the rear of the plane. This is because the armed escorts are to guard the prisoner and not to protect the plane which is why Air Marshals always fly in pairs in first class. Also by having the prisoner at the rear of the plane, they can board and de-plane via a rear exit directly getting into a vehicle. See more »


Owen Matthews: Going through other people's stuff, that's not cool. What are you looking for?
John Reese: A safety razor, maybe. Hairspray.
Owen Matthews: Dude, your hair looks fine. That salt-and-pepper thing's like catnip to soccer moms. Go au naturel.
See more »


References Miami Vice (1984) See more »

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User Reviews

Cinema Quality -- and Jim Caviezel owns this one!
21 February 2015 | by A_Different_DrummerSee all my reviews

One of the reasons I decided to become a "prolific" reviewer for the IMDb (aside from the once-a-year thank you notes from the founder, each with no return address) was that I was gob-smacked at how primetime TV had suddenly became (on average) BETTER THAN THEATRICAL RELEASES.

Way back when dinosaurs walked, I was a professional critic (as in, people actually paid me) and I never thought I would see the day when TV quality surpassed big-screen productions.

I was wrong, I admit it, and it is episodes like this that underscore the point.

This episode is so tight it squeaks, barely has one false note or one missed edit or one line of dialog lacking zing, and more suspense than a dozen recent big-name movie releases I could mention.

(CASE IN POINT -- a recent Hollywood release about an ex-Air Marshall on a plane where he knows there is a killer on board, but not who, does not even come close to capturing viewer attention to the degree this episode does.)

Two other notes:

* Jim Caviezel has been kept in reserve for the last few episodes. But unleash him, and his charisma, unshaven or not, still hits the bullseye each time. He owns this episode. And he is re-defining cool.

* in an earlier review I applauded JJ and Nolan for re-thinking "on the fly" a series which was already a hit. This episode shows enormous skill and craft, and continues the notion of taking POI up a notch.

Boy is this great TV

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