A small provincial town is buzzing with excitement: the town's most illustrious son, a world-famous opera singer, is coming home. Meanwhile, Sebastian, a kitchen boy who is as good as ... See full summary »
Ronja Mannov Olesen,
Helene Reingaard Neumann
In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
There is a theory that man is born with half a per mille too little. That alcohol in the blood opens the mind to the outside world, problems seem smaller and creativity increases. We know ... See full summary »
Thomas Bo Larsen
The film follows the 2000 K-141 Kursk submarine disaster and the governmental negligence that followed. As the sailors fight for survival, their families desperately battle political obstacles and impossible odds to save them.
Identical twins, Lucas and Klaus, are reunited after being separated since they were 4 years old. But when they meet again, they are caught between re-inventing the past and remaining the strangers they have become.
Erik, a lecturer in architecture, inherits his father's large old house in Hellerup, north of Copenhagen. His wife Anna, a well-known television newscaster, suggests that they invite their friends to come and live with them. In this way she hopes to evade the boredom that has begun to seep into their marriage. Before long, a dozen women, men and children move into the country house, make collective decisions, engage in discussions and go swimming together in the nearby Øresund strait. They also rub each other up the wrong way on account of their smaller and larger idiosyncrasies. Their fragile equilibrium threatens to come undone when Erik falls in love with his student Emma and the young woman moves into the house. Fourteen-year-old Freja, daughter of Erik and Anna, aloofly observes these goings-on and seeks her own way.Written by
The film is based on Thomas Vinterberg's play of the same name, which is inspired by his colourful childhood in an academic commune north of Copenhagen. See more »
The signs on the bus stops were not introduced until the late 80's or 90's. See more »
450 square meters is too big. The difference between living together and not is that you can feel, see and hear each other.
Or perhaps living in a small place makes you small-minded
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An interesting, exotic, intense story that is not truly engaging
Less difficult to watch then The Hunt or Festen, Thomas Vinterberg's Kollektivet (The Commune) impresses with great cinematography and how successfully it seems to reconstruct the details of the sixties and seventies fashion in Copenhagen, Denmark. But at the same time, it fails to deliver a truly engaging story. It's an interesting story, it's an exotic story, but the situations presented are so unfamiliar for someone who hasn't even considered living in a commune that it simply makes the plot hard to relate to. The Danish director apparently grew in a commune, but that doesn't mean that the story is autobiographical. However, it is pretty obvious that such a subject couldn't be presented so convincingly by someone without the experience of living in a commune. European movies are more and more something of an alternative cinema treat and this movie is a quite a delight from that perspective. The alternative lifestyle of the protagonists is presented in such detail that it doesn't seem forced or artificial. Most of the characters have strong personalities, but these are kind of ignored, as the pace is too quick to stop for them. Ultimately, what truly sticks out in your memory hours even after watching the movie is a very sad love story. A story about allowing extreme changes to your lifestyle and then having to bear all the consequences, with all the associated happiness and tears. "Maybe this is what people use to do in the Northern parts of Europe, I don't know what to say" was the first reaction of someone in the audience that I overheard at the European Film Festival, after the Bucharest opening screening. I kind of agreed. It is quite difficult to relate to a movie about an extreme leftist commune from Denmark. However, if you like strange stories that show with great talent a historical time and place, then The Commune is something you might fully appreciate. Yes, the action could also take place in a more modern setting, as the world is full of communes. However, what really makes this movie watchable is the love invested in recreating the look & feel of a defunct 20th century decade as seen and felt in a Northern Europe capital by a truly talented and hard- working director.
8 of 16 people found this review helpful.
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