In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.
A 12-minute short documentary film on the life and work of then-presidential candidate Hillary Clinton, originally commissioned for national broadcast (but never aired, for reasons never ... See full summary »
An Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.
A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
A drama that tracks the story of the foot soldiers of the early feminist movement, women who were forced underground to pursue a dangerous game of cat and mouse with an increasingly brutal State. These women were not primarily from the genteel educated classes, they were working women who had seen peaceful protest achieve nothing. Radicalized and turning to violence as the only route to change, they were willing to lose everything in their fight for equality - their jobs, their homes, their children and their lives. Maud was one such foot soldier. The story of her fight for dignity is as gripping and visceral as any thriller, it is also heart-breaking and inspirational.Written by
The investigation of the suffragette movement was the first instance of law enforcement using photo surveillance of persons of interest. See more »
The film shows police Inspector Arthur Steed speeding towards Epsom Race Course in a 1912 De Dion Bouton 8hp Torpedo. This brand of Italian motorcar would have been,probably, too expensive for him to own personally or the British government to purchase for use by an ordinary government official. See more »
Scripted by Abi Morgan, who gave us THE IRON LADY four years ago, this is a finely judged snapshot of a key year (1912-13) in the decades-long battle for women to get the vote in England. Meryl Streep has brief but commanding appearances as cranky old Mrs Pankhurst, imperiously redirecting her campaign from the ruling class to the working class. The key character here is the fictitious Maud Watts (Carey Mulligan), a young laundrywoman and mother who is drawn into the new campaign of 'civil disobedience', which will soon include blowing up post boxes and cutting telegraph wires.
Of the male characters, only Helena Bonham Carter's husband (Finbar Lynch) is sympathetic to the Cause. Brendan Gleeson's police inspector is well-served by the writer: central to the brutally repressive treatment of the Suffragettes, he is allowed a moment of doubt towards the end. Ben Whishaw seems uncomfortable in the challenging role of Maud's husband, totally intolerant her involvement with the Movement.
This is, in the fullest possible sense, a Women's Picture, written and directed (Sarah Gavron) by women, and it is the women who make it work and make it pull at your heartstrings. Bonham-Carter, Anne-Marie Duff and Romola Garai give telling performances. Carey Mulligan, who somehow didn't seem to get the period right in the remake of FAR FROM THE MADDING CROWD, is at her absolute best here, utterly convincing as an oppressed working mother reluctantly drawn into the campaign to give women fairer pay and a voice in the governance of the realm.
The Dickensian factory-sized laundry (a museum piece or a reconstruction?) is magnificently awful, and the teeming crowd scenes outside Parliament and at the fateful Epsom Derby suggest the production must have had a good budget (or some crafty CGI). There are moments of humour in the grim struggle, but this movie brings to life vividly and touchingly the high price paid by some women to obtain the right to vote for all women.
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