Uncovers how the rise of the superhero parallels America's rise as a superpower in the 20th century, evolving through the decades into a uniquely American mythology that has captured audiences across the globe.
John K. Bucher Jr.,
This is the story of how superheroes from Tim Burton's prototype blockbuster Batman, Blade, X-Men, Spiderman to Iron Man and the Black Panther brought to life from the pages of comic books,... See full summary »
Examines the dawn of the comic book genre and its powerful legacy, as well as the evolution of the characters who leapt from the pages over the last 75 years and their ongoing worldwide cultural impact. It chronicles how these disposable diversions were subject to intense government scrutiny for their influence on American children and how they were created in large part by the children of immigrants whose fierce loyalty to a new homeland laid the foundation for a multi-billion-dollar industry that is an influential part of our national identity.Written by
A comprehensive history of the superhero comic book fantasy genre and its influence on American culture.
We learn that comic book history overlaps nicely with the immigrant culture of Jewish and Italian youth in New York, with artists and writers working under sweatshop conditions. From the same neighborhoods that gave us the Golden Age of organized crime, we also got the Golden Age of comics.
We learn the origins of Superman, Batman and the Blue Beetle. Not the characters themselves, but how they were created. Who knew Batman was a ripoff of the Shadow? Or that Blue Beetle was given his name to trip off the Green Hornet? We even get a bit of World War II and Captain America (one of the few big Marvel characters to debut before the 1960s boom).
Episode one touches on "Seduction of the Innocent", and the low point in comic book history. Batman was seen as a sexual deviant and Superman (despite being created by two Jewish men) was symbolic of Hitler's master race. Although only covered in a few minutes (this topic could and should be a full episode), the general point is hit hard.
Episode two jumps up to the heroes of the 1960s, a big boom for Marvel Comics, largely inspired by the wonder and fear of nuclear power. The theme of radiation brought us the Hulk, Spider-Man, Fantastic Four. Solid writing also gave us stories that regular people could identify with (Peter Parker's dating and school troubles). And then there was the start of real diversity, thanks to Luke Cage and Black Panther.
We also hear about Jim Steranko's reinvention of Nick Fury as a spy, and the innovation of writing a story without words. We have the Batman TV series, the Comics Code Authority's limitations, and more.
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