5.7/10
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21 user 6 critic

Anita B. (2014)

Immediately after WWII, Anita, a young survivor of Auschwitz, looks at the world with worried eyes. She quickly finds herself involved in an intense and passionate affair that almost ... See full summary »

Director:

Roberto Faenza

Writers:

Edith Bruck (novel), Roberto Faenza (screenplay) | 7 more credits »
Reviews
2 wins & 1 nomination. See more awards »

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Cast

Credited cast:
Andrea Osvárt ... Monika
Antonio Cupo ... Aron
Eline Powell ... Anita
Robert Sheehan ... Eli
Moni Ovadia Moni Ovadia ... Zio Jacob
Nico Mirallegro ... David
Jane Alexander Jane Alexander ... Sarah
Clive Riche ... Medico (as Anthony Clive Riche)
Guenda Goria Guenda Goria ... Pianist
Rest of cast listed alphabetically:
Christian Bianco Christian Bianco ... Milos
Eva Kuen Eva Kuen ... Prisoner
Emma Lo Bianco ... Young girl (voice)
Franco Moscon Franco Moscon ... Polka Dancer
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Storyline

Immediately after WWII, Anita, a young survivor of Auschwitz, looks at the world with worried eyes. She quickly finds herself involved in an intense and passionate affair that almost shatters her, but eventually gives her the strength to rebel and start a new life. Written by Jean Vigo Italia

Plot Summary | Plot Synopsis

Plot Keywords:

bare chested male | See All (1) »

Genres:

Drama

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Details

Language:

English

Release Date:

3 March 2015 (USA) See more »

Filming Locations:

Budapest, Hungary See more »

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Box Office

Budget:

EUR3,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
See full technical specs »

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User Reviews

 
Anita B: why is modern Italian Cinema so weak?
31 May 2014 | by niutta-enricoSee all my reviews

I will start listing the good things I found in this movie: it transmits the passion that has been put in the making. It deals finely with the most delicate matter of the past Century: the genocide of six million Jews during World War II. It gives hope.

On the other hand, however, it shows the (most irritating to me) lack of narrative depth that I so frequently find in modern Italian productions. What kind of audience could find convincing a woman saying to a girl she just met 'the best way to explain to you what love means is playing this melody on the piano'? And people who hurt other people, why would do they do that? We are not given an explanation of their behavior, not a hint. Should we believe that they are just born different from the others, that mankind could be divided into those who keep smiling (the good ones), those who never do (the bad ones) and those who sneer (the deceiving ones)? I hate it when the script requires me a leap of faith to believe the story.

I have my own theory: I think Italian cinema has reached an all-time low and people by now are so used to bad films that good Authors (like the present ones) do not feel anymore the need for a really good production, starting from a sound screenplay. I am Italian and I love movies. Nothing could please me more than watching beautiful Italian movies.


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