Jonrosh's (Ferrell) final chapter finds Winston (Osment) out to destroy his family, stopping at nothing to get his revenge. A Christmas party brings together Cynthia (Wiig), Devon (Maguire), Winston ...
When a family of raccoons discover worms living underneath the sod in Jeff and Nealy's backyard, this pest problem begins a darkly comic and wild chain reaction of domestic tension, infidelity and murder.
Liz Lemon, head writer of the sketch comedy show "TGS with Tracy Jordan", must deal with an arrogant new boss and a crazy new star, all while trying to run a successful television show without losing her mind.
Sarah Silverman stars as Sarah Silverman, an unemployed single woman who still behaves like a child. Sarah depends in everything on her sister (played by her real sister Laura). Sarah is ... See full summary »
Patriarch Jonas Morehouse shepherds his daughter Cynthia and adopted son Devon from meager beginnings in the oil fields of Texas to powerful boardrooms in New York City. Cynthia and Devon, entwined in undeniable love, stumble through war-torn battlefields, blazing mansions, filthy drug dens and velvet-sheeted bedrooms on their quest for power and influence. Despite Jonas's best efforts to intervene, Cynthia and Devon's merciless love sets into motion a wave of destruction that crashes down on Devon's graceful wife Lady Anne, his daughter Marianne, his colleague and lover Dixie, Cynthia's hen-pecked husband Chet, her evil son Winston, the scheming Generals and far beyond.Written by
Any fan of the Abraham-Zucker-Zucker send-ups who hated pretentious '70s mini-dramas should find some amusement in "The Spoils of Babylon." There's a ridiculousness to the entire project, including its heavy promotion, that plunges deeply into absurdity. This is parody that produces chuckles rather than guffaws, and the humor is in the details.
Effort was expended to make every scene excessively cheesy, although when sustained at this extreme level can dull the senses. An excellent cast can be commended for executing such ludicrous material in the straight deadpan manner required.
This is a show that doesn't work for those needing their satire to be clever or witty. Instead, TSOB bludgeons the viewer with the preposterous, from the overblown melodramatic dialog to the intentionally fake props and special effects to the blatant references to previous directorial styles.
To best appreciate TSOB, take it at face value and don't expect more than what it is, which is unadulterated spoof without refinement or sophistication.
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