6.6/10
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Magic in the Moonlight (2014)

PG-13 | | Comedy, Romance | 15 August 2014 (USA)
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A romantic comedy about an Englishman brought in to help unmask a possible swindle. Personal and professional complications ensue.

Director:

Woody Allen

Writer:

Woody Allen
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Popularity
4,529 ( 1,294)
1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Colin Firth ... Stanley
Antonia Clarke ... Wei Ling Soo's Assistant
Natasha Andrews Natasha Andrews ... Wei Ling Soo's Assistant
Valérie Beaulieu Valérie Beaulieu ... Wei Ling Soo's Assistant
Peter Wollasch Peter Wollasch ... Stage Manager
Jürgen Zwingel Jürgen Zwingel ... Backstage Fan
Wolfgang Pissors ... Backstage Fan
Sébastien Siroux Sébastien Siroux ... Backstage Fan
Simon McBurney ... Howard Burkan
Ute Lemper ... Cabaret Singer
Catherine McCormack ... Olivia
Eileen Atkins ... Aunt Vanessa
Erica Leerhsen ... Caroline
Jeremy Shamos ... George
Hamish Linklater ... Brice Catledge
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Storyline

Stanley is a magician who has dedicated his life to revealing fraudulent spiritualists. He plans to quickly uncover the truth behind celebrated spiritualist Sophie and her scheming mother. However, the more time he spends with her, he starts thinking that she might actually be able to communicate with the other world, but even worse, he might be falling in love with her. Written by Anne Campbell

Plot Summary | Plot Synopsis

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for a brief suggestive comment, and smoking throughout | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | France

Language:

English | French

Release Date:

15 August 2014 (USA) See more »

Also Known As:

Magia a la luz de la luna See more »

Filming Locations:

Côte d'Azur, France See more »

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Box Office

Budget:

$16,800,000 (estimated)

Opening Weekend USA:

$412,095, 25 July 2014

Gross USA:

$10,506,939
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Some of the classical music pieces heard in the movie's opening scene are Igor Stravinsky's "Rite of Spring" and Ludwig van Beethoven's "9th Symphony, 2nd movement." The Beethoven piece is heard again when Stanley's sleep is troubled. See more »

Goofs

On several occasions, Stanley makes derisive references to how well or how badly Sophie can predict the future. She never claimed she could predict the future. Her demonstrated skills involve the past, like knowing impossible-to-know facts about people she has barely met and contacting deceased relatives. Before Stanley met Sophie, Brice said "She can predict the future." See more »

Quotes

[first lines]
Stanley: I don't understand. Is the conductor a blithering idiot? He went over the tempo six times. It's Adagio, Adagio, Adagio! It's not racehorse tempo.
See more »

Connections

Featured in Half in the Bag: 2014 Movie Catch-up: Part 1 (2014) See more »

Soundtracks

It's All a Swindle (Alles Schwindel)
Composed by Mischa Spoliansky and Marcellus Schiffer
Performed by Ute Lemper
Accompanied by Sebastián Machado and Eros Cordogli
See more »

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User Reviews

 
A Widely and Profoundly Misunderstood Gem
20 August 2014 | by emvanSee all my reviews

Most viewers are taking this film as a conventional (and admittedly entirely predictable) romantic comedy which happens to be about a magician who debunks fake spirit mediums, and a beautiful young woman whom he believes is just that. But that's getting it *entirely backwards*. It is in fact a thought-provoking exploration of the extreme materialistic worldview -- the view that holds that modern science has eliminated the possibility of the existence of the soul, an afterlife, and God -- and an exploration of the psychological relationship between embracing that worldview, and being pessimistic and unhappy. As such, it is one of Allen's most personal and thought-provoking films in years.

And if that sounds "heavy," the miracle of the movie is its very lightness. Obviously, the themes enter in so effortlessly that many people are missing them entirely! You need to be interested in the tension between the materialist worldview and the conventional one that accommodates the spiritual and the mysterious, but if you are, you will be astonished at how delightful and entertaining an exploration of those deep themes can be.

The age discrepancy between Frith's and Stone's characters, which I am sure will bother many, is in fact completely necessary: he must be old enough to be set in his pessimistic ways, and she must be young and beautiful enough to challenge them at first sight.

Obviously there are happy atheists and there are miserable spiritual people, so the question that Allen is asking here is whether some unhappy atheists have embraced the soul- and God-denying position too vigorously, as a sort of defense mechanism to shield themselves from the fundamentally irrational possibility of falling in love. The way the movie knits together the materialist / spiritualist question, the possibility of love, and the metaphor of magic -- well, it's sheer magic itself.

This is far from Allen's funniest movie, and it's only a 7/10 as entertainment. But not only does it easily gain an extra point for its depth, it almost gains two. Admittedly, I am fascinated by the movie's themes, but I think that anyone who is interested in them may find themselves as charmed and, ultimately, as deeply moved as I was. 89/100.


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