Eve's husband Paul, disappears mysteriously one day and leaves behind a huge debt. As the police investigates the case, Paul's former associate Chollet offers Eve his support. Little later Chollet becomes himself a suspect.
Gary, an unskilled young man, lands a job as a decontamination sub-contractor at a nuclear power plant in the lower valley of the Rhone. Inducted into the workforce by supervisor Gilles and... See full summary »
Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and ... See full summary »
A young couple marry in France in the 1940s and the film follows the arc of their marriage over the next decade. As France recovers from the trauma of the war, the wife finds herself ... See full summary »
In the early 1900s, in the French provinces. Célestine a beautiful and libertarian young woman, who has been hired as a chambermaid by the Lanlaires, arrives from Paris at the train station. Joseph, her masters' gruff gardener takes her to the house where she is to work. She is "welcomed" by Mr. Lanlaire who immediately starts fondling her. She then meets Mrs. Lanlaire, a very unpleasant woman with a class superiority. All this bodes ill for the future...Written by
The third version of Octave Mirbeau's novel and by far the weakest.Marion Cotillard was to play Célestine but she was eventually replaced by Léa Seydoux, whose inexpressive looks and listless acting do not help;and anyway she is no match for Jeanne Moreau ,the best Celestine ever,even though Luis Bunuel's story underwent some changes - when the master tackles a novel ,he integrates his obsessions ,and he makes it his own.
The movie suffers ,not only from Seydoux's monotonous portrayal,but also from a terribly desultory script (both Renoir's and Bunuel's efforts had firm screenplays.)
Let's put it straight:I did not expect much from a third version but I did watch it because Vincent Lindon is in it;unfortunately his part is reduced to a sex machine and he is not given a single chance to show his skills ;in Bunuel's version,Georges Géret made all his scenes count .
The cinematography is fine and the last pictures rather tasteful,but the movie will be quickly forgotten.
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