When the world is under attack from terrifying creatures who hunt their human prey by sound, 16-year old Ally Andrews (Kiernan Shipka), who lost her hearing at 13, and her family seek refuge in a remote haven.
John R. Leonetti
When troubled musical prodigy Charlotte (Allison Williams) seeks out Elizabeth (Logan Browning), the new star pupil of her former school, the encounter sends both musicians down a sinister path with shocking consequences.
In the wake of humanity's extinction, a teenage girl is raised by a robot designed to repopulate the earth. But their unique bond is threatened when an inexplicable stranger arrives with alarming news.
Young brothers Tom and Benjamin travel to Sweden to spend their vacation with their estranged father, who they have barely seen since their parents divorced. Tom, the younger of the two, ... See full summary »
Timothé Vom Dorp,
Théo Van de Voorde
In a world that is increasingly dependent on electricity, a power outage seems like an awful predicament, as we can't imagine ourselves living in a world deprived of electricity. With this in mind, after a lingering power outage, a father and his two daughters will find themselves trapped in a completely different reality; one that will change their lives forever. But, is this outage regional, or does it affect the entire country? In the end--as these, and other, more crucial questions require an answer--no one can tell if the family has what it takes to survive; nonetheless, they will still have to put to the test their skills, their adaptability and endurance, but above all, find the courage to challenge the integrity of their familial bonds.Written by
(I intentionally tried my best to avoid spoilers, but please let me know if I didn't) I would have lost a bet if someone told me Ellen Page and Evan Rachel Wood were in a flick that sucked, but here you go. Good performances for both, some great emotion, but the whole of the writing suffers from plausibility problems, almost like a freshman film student didn't have a mentor review her work before final submission. It affects really basic things that are glaring. Set aside the narrative on the human condition, etc. for a moment. That can be massaged by the writer to match her message as she sees fit (some of the messages are not all that great, but I'm a guy), but what is obviously lacking in the story is the amount of technical consult work that must be done to ensure any viewer that has a slight idea of how things work doesn't turn away from the film before the conclusion. Perhaps I'm not part of the target audience? Unclear. Is it ready for the 2am slot of the lifetime network? Sure, why not? Every other medium will probably leave the viewer wondering if this same story could have been told with a lot more attention to detail. I mostly can't stand remakes, but I would welcome another crack at this.
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