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Clouds of Sils Maria (2014)

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A film star comes face-to-face with an uncomfortable reflection of herself while starring in a revival of the play that launched her career.

Director:

Olivier Assayas

Writer:

Olivier Assayas
19 wins & 42 nominations. See more awards »

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Cast

Cast overview, first billed only:
Juliette Binoche ... Maria Enders
Kristen Stewart ... Valentine
Chloë Grace Moretz ... Jo-Ann Ellis
Lars Eidinger ... Klaus Diesterweg
Johnny Flynn ... Christopher Giles
Angela Winkler ... Rosa Melchior
Hanns Zischler ... Henryk Wald
Nora von Waldstätten ... Actress in Sci-fi Movie
Brady Corbet ... Piers Roaldson
Aljoscha Stadelmann Aljoscha Stadelmann ... Urs Kobler
Claire Tran ... Maria's London Assistant
Stuart Manashil Stuart Manashil ... Maria's Agent
Peter Farkas Peter Farkas ... Journalist in Zürich
Ben Posener ... Journalist in London
Ricardia Bramley Ricardia Bramley ... Talk Show Host
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Storyline

The first real professional success for famed French actress Maria Enders was twenty years ago as the co-lead in writer Wilhelm Melchoir's play and subsequent movie "Maloja Snake", he who picked Maria, then an unknown, personally. She played Sigrid, an opportunistic eighteen year old in an emotionally dependent lesbian relationship with forty year old Helena, who was at a vulnerable stage of her life. Maria has turned down the play's upcoming London revival in which she would now play Helena, it remounted by director Klaus Diesterweg. Her reasons for turning down the role are many including: being at a vulnerable stage of her own life going through a painful divorce; remembering the suicide of Susan Rosenberg, the original Helena, following the original run of the play, the suicide purportedly mirroring what happens to Helena; and the painful memories of the production in still having hard feelings toward who was her older male costar, Henryk Wald, with who she had an affair at the ... Written by Huggo

Plot Summary | Plot Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language and brief graphic nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Germany | Switzerland

Language:

English | French | German | Swiss German

Release Date:

20 August 2014 (France) See more »

Also Known As:

Sils Maria See more »

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Box Office

Opening Weekend USA:

$61,810, 12 April 2015

Gross USA:

$1,851,517

Cumulative Worldwide Gross:

$4,728,401
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital EX

Color:

Color | Black and White (archive footage)

Aspect Ratio:

2.40 : 1
See full technical specs »
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Did You Know?

Trivia

Olivier Assayas and Juliette Binoche previously worked together on the film, Summer Hours (2008). See more »

Goofs

in part two, during Maria's discussion with her assistant, Juliette Binoche will be seen picking up her glass of wine with the right hand (front shot), then seen using her left hand (shot from the back) See more »

Quotes

Maria Enders: You can imagine anything you want. Are we going the right way? I mean, I don't mind waking up at the crack of dawn; but, not to get lost in the mountains and miss the snake.
Valentine: Well, we're basically here. You happy?
Maria Enders: What makes you think we're here?
Valentine: I've got a map!
See more »

Crazy Credits

During the closing credits, four of the actors are shown under the heading "guest appearance by". See more »

Connections

Features Das Wolkenphänomen von Maloja (1924) See more »

Soundtracks

Kowalski
[by Primal Scream]
Written by Bobby Gillespie, Andrew Innes, Robert Young, Martin Duffy, and Mani (as Gary Mounfield)
Performed by Primal Scream.
See more »

Frequently Asked Questions

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User Reviews

Fantastic lead performances
11 December 2014 | by Red_IdentitySee all my reviews

Fantastic work from both Juliette Binoche and Kristen Stewart. The latter showed some more naturality in Still Alice and here she has a lot more screen time and is pretty great throughout. It's not an incredibly showy performance, though, not like Binoche's, but I could get behind it for awards love. Chloe Moretz's empty, superficial acting style actually works perfectly for her character here. I doubt it was really much work for her, but it works and she's not a distraction like she usually is. Juliette Binoche is amazing, as always. I could've seen her actually gaining traction for this film (had it been released near the end of the year). The film as a whole is... really weird. It's very entertaining throughout, never once dull, but it feels sort of aimless the more it goes on and while I get what points it was trying to make, it just felt a little too scattered to truly be great.


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