Both Zeitman is obsessed with Youtube. When he sees a video claiming that God is making a movie of his life, he takes it seriously. He alters his behavior in strange and cliched ways in ... See full summary »
Prior to the Iranian revolution it was a place where people of all religions were allowed to flourish. This is the story of a prosperous Jewish family who abandon everything before they are consumed by the passions of revolutionaries.
Michael (Liam Neeson) is a Pulitzer Prize-winning fiction author who has holed himself up in a hotel suite in Paris to finish his latest book. He recently left his wife, Elaine (Kim Basinger), and is having a tempestuous affair with Anna (Olivia Wilde), an ambitious young journalist who wants to write and publish fiction. At the same time, Scott (Adrien Brody), a shady American businessman, is in Italy to steal designs from fashion houses. Hating everything Italian, Scott wanders into the Café American" in search of something familiar to eat. There, he meets Monika (Moran Atias), a beautiful Roma woman, who is about to be reunited with her young daughter. When the money she has saved to pay her daughter's smuggler is stolen, Scott feels compelled to help. They take off together for a dangerous town in Southern Italy, where Scott starts to suspect that he is the patsy in an elaborate con game. Julia (Mila Kunis), an ex-soap opera actress, is caught in a custody battle for her 6 ...Written by
Sony Pictures Classics
The full name of James Franco's character, Richard Wiess, only appears twice, and is never spoken. You see it first in Paris, when Michael (Liam Neeson) and Anna (Olivia Wilde) are walking in front of a building (you can see that his work will be featured there soon), and again when Julia (Mila Kunis) rings the buzzer at his building in New York City. The name next to the buzzer is R. Weiss. See more »
When Olivia Wilde's character is locked out of Liam Neeson's character hotel room, she is completely naked and in such conditions she runs down the corridor and stairs towards her own room. When she enters it, she can be seen wearing knickers. See more »
Performed by Gigi D'Alessio
Courtesy of GGD Srl.
Written by Luigi D'Alessio and Valentina D'Agostina
Published by Warner Chappell Music Italiana Srl and GGD Edizioni Srl
All Rights Administered by Warner Chappell Music Italiana Srl See more »
Paul Haggis did it again. At least for me he did. Obviously judging by the low rating, it hasn't had the same effect on others here. I really loved the movie, the intricacies, the connections and of course the "resolution". There might be a better word for the ending, but one thing is for sure: The movie demands more than one viewing. You can watch it with different eyes (your own, just a matter of speaking) and see things in a new light.
There's also trademark Haggis dialog, pointing in one direction, making fun of it, by almost straying away, than going full throttle on the first assumption you made. You may or may not like that, but it's what Haggis can do very good. And he has the actors to pull anything off, he gives them. It's a great movie with little hints here and there, that make sense in the end. Even if you don't get everything the first time around, it is a rewarding (viewing) experience
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