A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
The drug war on the U.S.-Mexico border has escalated as the cartels have begun trafficking terrorists across the US border. To fight the war, federal agent Matt Graver re-teams with the mercurial Alejandro.
Benicio Del Toro,
Christian Wolff is a math savant with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world's most dangerous criminal organizations. With the Treasury Department's Crime Enforcement Division, run by Ray King, starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, it is the body count that starts to rise.Written by
Although the film was shot on-location in Atlanta, Georgia, it is set in Plainfield, Illinois, with scenes in downtown Chicago, Illinois. Also, the high school Dana mentions (Naperville North) is an actual high school, from which Bob Odenkirk graduated. The school's math team has won sixteen state championships. See more »
When Chris first shows up to work at Living Robotics, Dana is there to greet him. No work has been done, other than Dana having collated financial files. Next scene we see them sharing space for lunch; I am assuming about 4 hours has passed. Finally we see Chris back in his work room, getting his pens out and preparing to work. But no work has been done. Did it take Chris 4 hours to decide to eat lunch? See more »
Why was the dress so important to you?
It wasn't about the dress. I just wanted to walk into the gym and have everybody say WOW! I was trying to belong. I was trying to connect. I think that no matter how different we are, we're all trying to do the same thing.
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A largely entertaining, but deeply flawed, action-thriller.
Ben Affleck's acting resurgence of the last few years (Argo, Gone Girl, his take on Batman) notches up another tick in the box, this time with an introspective and multi-layered turn as the titular black-market bookkeeper who battles autism, assassins and federal agents. An intricately woven thriller boasting multiple twists and turns—of varying predictability—there's enough meat on the narrative bones to compensate for the over-utilisation of rote flashbacks and the occasional slip into genre cliché. The autism angle certainly lends a fresh viewpoint on old tropes but the film never feels completely confident to commit, becoming selective about when it depicts the mental condition warts-and-all and when it tames it down to suit the scene. That's possibly an unfair criticism though as this movie is an action-thriller first and foremost, and a damn good one at that. The set pieces are a mix of scrappy hand-to-hand fights, à la the Bourne series, and gunplay that emphasises practicality similar to that displayed in John Wick; combining to create sequences that are both brutal and stylish. Thankfully the editing isn't as impatient as it can be in a lot of action flicks, with shots held on the recognisable actors just long enough to convince you they're doing their own stunts, whilst the booming sound design gives the sniper scenes an extra bit of chest-pummelling oomph. It's a shame the otherwise exciting finale is at times lit so dimly it's like you're viewing it with sunglasses on, as it detracts slightly from what could have been an epic climax. But hey, that's a minor quibble. Sharing the screen with Affleck, Jon Bernthal's wild streak comes out to play in another menacing badass role and J.K. Simmons is dependably magnetic as a lead agent with a secret past, however Anna Kendrick's kooky numbers cruncher seems to have walked in from a completely different movie (Pitch Perfect 3 perhaps?). It's by no means flawless, yet the high calibre action, gripping central performance and a few plot-based surprises make The Accountant a largely satisfying cinematic outing.
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