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Saving Mr. Banks (2013)

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Author P.L. Travers reflects on her childhood after reluctantly meeting with Walt Disney, who seeks to adapt her Mary Poppins books for the big screen.

Director:

John Lee Hancock
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Popularity
990 ( 16)
Nominated for 1 Oscar. Another 14 wins & 72 nominations. See more awards »

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Cast

Cast overview, first billed only:
Emma Thompson ... P.L. Travers
Tom Hanks ... Walt Disney
Annie Rose Buckley ... Ginty
Colin Farrell ... Travers Goff
Ruth Wilson ... Margaret Goff
Paul Giamatti ... Ralph
Bradley Whitford ... Don DaGradi
B.J. Novak ... Robert Sherman
Jason Schwartzman ... Richard Sherman
Lily Bigham Lily Bigham ... Biddy
Kathy Baker ... Tommie
Melanie Paxson ... Dolly
Andy McPhee ... Mr. Belhatchett
Rachel Griffiths ... Aunt Ellie
Ronan Vibert ... Diarmuid Russell
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Storyline

When Walt Disney's daughters begged him to make a movie of their favorite book, P.L. Travers' Mary Poppins (1964), he made them a promise - one that he didn't realize would take 20 years to keep. In his quest to obtain the rights, Walt comes up against a curmudgeonly, uncompromising writer who has absolutely no intention of letting her beloved magical nanny get mauled by the Hollywood machine. But, as the books stop selling and money grows short, Travers reluctantly agrees to go to Los Angeles to hear Disney's plans for the adaptation. For those two short weeks in 1961, Walt Disney pulls out all the stops. Armed with imaginative storyboards and chirpy songs from the talented Sherman brothers, Walt launches an all-out onslaught on P.L. Travers, but the prickly author doesn't budge. He soon begins to watch helplessly as Travers becomes increasingly immovable and the rights begin to move further away from his grasp. It is only when he reaches into his own childhood that Walt discovers ... Written by Walt Disney Pictures

Plot Summary | Plot Synopsis

Taglines:

To Walt Disney, "Mary Poppins" was more than a book. To her, it was more than a movie. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements including some unsettling images | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA | UK | Australia

Language:

English

Release Date:

20 December 2013 (USA) See more »

Also Known As:

Saving Mr. Banks See more »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$413,373, 13 December 2013

Gross USA:

$83,301,580

Cumulative Worldwide Gross:

$117,867,984
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Pamela said that she wanted real penguins to sing and dance. Since they couldn't be trained to dance Walt Disney opted for animated penguins. Actually, it's true that real life penguins do dance and sing but only when they want to. The singing and dancing is to attract mates. See more »

Goofs

On her hotel nightstand is a boutique box of Kleenex® tissue. The Kleenex® boutique box was not sold until 1967. See more »

Quotes

[first lines]
Travers Goff: [voiceover] Winds in the east / Mist coming in / Like something is brewing / About to begin / Can't put me finger / On what lies in store / But I feel what's to happen / All happened before.
See more »

Crazy Credits

The first part of the credits contain actual photographs from the Mary Poppins (1964) premiere and behind-the-scenes photos. See more »

Connections

Featured in Film 2017: Episode dated 26 February 2014 (2014) See more »

Soundtracks

Step In Time
Written by Richard M. Sherman (as Richard Sherman) and Robert B. Sherman (as Robert Sherman)
Performed by Dick Van Dyke
Courtesy of Walt Disney Records
See more »

Frequently Asked Questions

See more »

User Reviews

 
Truth, not all the truth, yet nothing but the truth, Walt Disney's Saving Mr. Banks is a Best Picture Hopeful with all the good credentials
19 December 2013 | by diac228See all my reviews

Walt Disney Pictures rarely aims for the Best Picture crown, being more a company focused on profits and sustaining its wildly popular brand. To make you haters hate more: they've earned $4 billion this year already and this includes the $200 million loss of Lone Ranger). They usually only distribute the movies that have a shot at Academy Awards immortality, with The Help (A Dreamworks film) being the latest example of a nominee and No Country For Old Men being their latest example of a winner.

But with Saving Mr. Banks, Disney is going the whole nine yards. With a stellar cast, seemingly endless budget (Giving John Lee Hancock a much-less stressful job in directing), high production value, and heavy dosage of drama that hides beneath the happier movie trailers, this film stands as one of the better dramas of the year and a sure-fire Oscar-contender. Touching upon the tissue-happy themes of forgiveness, family, and seeking happiness in a miserable world, prepare for waterworks throughout the two hours.

What makes this movie work more than anything else is the screenplay that didn't start in the studios of Disney, allowing for a more accurate portrayal of the true story behind the making of the masterpiece Mary Poppins----even if the entire world knows that with the backing of Disney some details will be left out. Kelly Marcel and Sue Smith weaved out an engaging story full of crisp dialogue and skillfully avoids becoming too overblown or too overdramatic. And whenever the movie gets close to being all-out depressing, we get treated to humorous moments here and there to keep the audience in check.

In a movie about artists that are addicted to their craft, you need actors that work with the same type of fervor. Emma Thompson despite not getting top billing gets the most screen time, gets the toughest job, and delivers the ultimate performance. She becomes very dislikable and yet sympathetic at the same time, and it is impossible to see anyone other than Thompson deliver this type of impact. Tom Hanks in an Oscar-baiting year does a superb job portraying the icon planet Earth knows and loves as he gives Walt Disney a humanized performance that separates the flawed man from the myth the Disney Company has feverishly worked to this day to protect. The rest of the cast does not disappoint, and we even see Colin Farrell potentially impress some Academy voters as the loving yet extremely defective father figure.

Disney's protection of its brand is the sole reason why Saving Mr. Banks could never ever ever ever ever ever be produced or made by anybody else. But luckily for all viewers, Disney doesn't pull back many punches in delivering the story behind the complex and conflicted making of Mary Poppins. It will be deep in the Golden Globes and the Academy Awards but ultimately indeed deserves the praise—even if you won't see all the details behind the true story on screen.


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