Steve Jobs takes us behind the scenes of the digital revolution, to paint a portrait of the man at its epicenter. The story unfolds backstage at three iconic product launches, ending in 1998 with the unveiling of the iMac.
The story of Ray Kroc, a salesman who turned two brothers' innovative fast food eatery, McDonald's, into the biggest restaurant business in the world, with a combination of ambition, persistence, and ruthlessness.
John Lee Hancock
John Carroll Lynch
Harvard student Mark Zuckerberg creates the social networking site. That would become known as Facebook but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
His passion and ingenuity have been the driving force behind the digital age. However his drive to revolutionize technology was sacrificial. Ultimately it affected his family life and possibly his health. In this revealing film we explore the trials and triumphs of a modern day genius, the late CEO of Apple inc. Steven Paul Jobs.Written by
First film by Danny Boyle not to be DP'd by Anthony Dod Mantle since Sunshine (2007). Though this is due to the influence of 20th Centuary Fox, who hired majority of the behind the scenes staff (including Boyle) years before production began. Boyle and Mantle would later immediately reunite 6 months later with T2 Trainspotting (2017). See more »
Joanna says that the first performance of "The Rite of Spring" was a failure and that few recordings of the ballet were sold. "The Rite of Spring" was performed in Paris for the first time in 1913, but the first recording was issued only in 1929. See more »
There are people 'round here, man, including a member of the press.
I see him.
The top guys, the ones who are getting laid off.
Listen, okay? Last year Apple lost one billion dollars. I don't even know how that's possible. You were less than 90 days from being insolvent. I had three different accountants try to explain it to me. The whole place has to be streamlined.
Start with two of the accountants.
I started with the Apple...
[to the member of the press]
Joel, could you come off stage?...
[...] See more »
The film's title is never shown in the opening or closing credits. See more »
A great movie but a minor letdown. Fassbender best in show
Steve Jobs fails to explode off the screen like The Social Network or Charlie Wilson's War did. There's all the things to love about Aaron Sorkin's writing and the acting is terrific, but Sorkin's screenplay lacks the enjoyable bite of his previous efforts and the whole thing comes off rather lacklustre.
On the film's highlights - Fassbender leaps off the screen in the first two minutes and never lets go. He looks nothing like Jobs himself did but he perfectly captures the frustrating ego that everyone loathed and matches it with high spirit and a bit of humour. His condescension is so real that we snarl at it. Winslett also makes her mark very early on, nailing an accent and vanishing into the part of Johanna. Her chemistry with Fassbender is palpable. Seth Rogen crushes the role of Steve Wozniak, a casting choice I've been thrilled about since 2014, nailing the low self-esteem and nervous ticks of the nerdy genius. Watching Rogen perform we can see his anger but also the slight plea for their friendship to endure. We all know that one friend who feels like they're doing us a favour by being friends with us, and watching Fassbender and Rogen banter back and forth we can see it in real time. Jeff Daniels rounds out the four-person highlight as Apple's CEO, and truly stands out as a great supporting player.
Probably the most talked about feature of Steve Jobs is the three-act narrative filmed in different styles. Its been reported on a million times and all I'll say is I loved it. The transition between the three events are also clever, montages of real media reports and pictures. There's even a very cleverly used Simpsons gag that helps inform the audience. I also loved the playful score and the cinematography that emulates the walk and talk of the West Wing.
The screenplay is Steve Jobs' greatest aider and abetter. The film's best scenes are written masterpieces - two fights between Jobs and Wozniak in particular take your breath away, a harsh comment where Jobs cuts down his 5 year old girl's beliefs are harsh, the recurring references to Jobs' adoption are clever and the two Andys joke is a nice funny recurring gag. However, Sorkin's screenplay at times feels like a textbook, and with so many words floating around its easy to lose track of what's happening. Some of the lines of dialogue are so pretentious its easy to get taken out of the film. It's also annoying to see Sorkin recycle his classic Sorkinisms "Don't talk to me like I'm other people" and "well one day you'll have to tell us how you did it". When you've seen them a couple of times, they lost impact right where they're needed most. Sadly, Sorkin starts to get too smart for his own good.
I didn't care much for the story arc Jobs went on. He is vehemently opposed to being Lisa's father and hurts the little girl by saying the computer was not named after her. Then all of a sudden he's a caring father and the girl's mother (played wonderfully by Katharine Waterston) is portrayed as the film's villain. In the final act, Jobs has a very clunky reconciliation on the rooftop and says things that simply don't fit right with the story.
There's a lot of talent involved in this movie that I really wanted to love. Fassbender and his co-stars all do exceptional work and Sorkin delivers a number of wonderful scenes, but at the end of the day I can't help but walk away feeling like Jeff Daniels' character, mourning for the things that could've been achieved.
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