The Story of Film examines world cinema in the period of 1918-1932 and looks at places where movie-makers were pushing the boundaries of film. It examines the work of visually daring filmmaker Ernst ...
An innovative 'magic realist' documentary set in Iraq. Filmmaker Mark Cousins, who was brought up in a Northern Irish war zone, travels to Goptapa, a Kurdish-Iraqi village of just 700 ... See full summary »
Gharib Ahmad Rauf,
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Despite the many curious similarities between Susan Hayward and Lena Horne-both were born in Brooklyn on exactly the same day, for example-one detail set their careers on very different paths. This doc examines their parallel lives.
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Film critic and historian Mark Cousins uses film clips, interviews with filmmakers, and illustrative footage of locations around the world to take viewers through film and filmmaking history, from the late 19th century to today, with a particular emphasis on world cinema.Written by
I understand that Cousins Northern Irish accent takes some getting used to. However, trashing his work because of the narration is too harsh a judgment. I actually watched the whole thing. Twice. I was fascinated by a documentary that tries the impossible: a history of world cinema. The first two episodes alone deal with the era of silent movies. Try to find something else that goes so much into detail! It requires concentration and attention but I kept watching because I learnt something.
The Story of Film is a very personal take on the subject. Cousins often uses phrases such as "perhaps the greatest film ever made" or "perhaps the most innovative film..." And often such phrases refer to a Japanese or Iranian movie that I have never heard of. I am sure a lot of people would disagree. I don't have a problem with it. In the opening sequence of every episode, he says that he follows the Odyssey of film makers who are not driven by box office success. If you want to see the history of Hollywood Blockbusters, "The Story of Film" is the wrong program. If you want to know what kind of films were made in the 1980s behind the iron curtain in Eastern Europe, now you are in the right theatre.
Leaving all criticism on Cousins narration, possible inaccuracies or highly subjective opinions aside, here is a man talking who has probably more forgotten about movies than most people ever knew about the subject.
11 of 19 people found this review helpful.
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