Documentary on the Friedmans, a seemingly typical, upper-middle-class Jewish family whose world is instantly transformed when the father and his youngest son are arrested and charged with shocking and horrible crimes.
Journalist David Farrier stumbles upon a mysterious tickling competition online. As he delves deeper he comes up against fierce resistance, but that doesn't stop him getting to the bottom of a story stranger than fiction.
The story of how an eccentric French shop-keeper and amateur film-maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner. The film contains... See full summary »
High mountains visible in background in at least five scenes including sister's airport departure, Nicholas boarding school bus, kids hanging out in vacant lot. Supposedly set in San Antonio which is in the Texas 'Hill Country' but we see real mountains in the background. End credits reveal recreated scenes were shot in Arizona including Phoenix, Buckeye and Avondale where there are numerous mountain ranges often visible in any direction you look at varying distances. See more »
Frédéric Bourdin - Imposter:
Before I was born, I definitely had the wrong identity. I already didn't know - I was already prepared not to know who I really was. A new identity with a real passport, an American passport... I could go to the U.S., go to school there, live with that family, and just being someone and don't have never again to worry about being identified. I saw the opportunity.
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Cinematic, intriguing and unsettling even if the events don't give the highs the director has the potential to deliver.
While it's fascinating to have a documentary in such detail on both sides of a criminal act, it's most interesting aspect is watching the development of a mad man unfold in just a single shot spread over the whole film. At first, Frederic Bourdin appears charming and approachable as he explains his old thought processes with a smile. Over the film's progression, in which we're treated to Man On Wire-esque re-enactments, it's clear he actually has no remorse and his pride is unsettling, especially as this case is just one of the many. Although the film does underwhelm in the end slightly, that can't be helped for it's a documentary, the best aspect is the slick photography in both the interviews and re-enactments making it look incredibly cinematic. The Imposter is a really well constructed film that makes its unbelievable story work and keeps a consistent level of intrigue and anxiety throughout, even if in an ideal world, it should be building up to a finer payoff.
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