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Very Good Girls (2013)

R | | Drama, Romance | 24 June 2014 (USA)
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Two New York City girls make a pact to lose their virginity during their first summer out of high school. When they both fall for the same street artist, the friends find their connection tested for the first time.

Director:

Naomi Foner

Writer:

Naomi Foner

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Cast

Cast overview, first billed only:
Dakota Fanning ... Lilly
Elizabeth Olsen ... Gerri
Sterling Jones ... Beach Boy
Lenny Platt ... Beach Boy
Boyd Holbrook ... David
Ellen Barkin ... Norma
Kiernan Shipka ... Eleanor
Clare Foley ... Phoebe
Roslyn Curry Roslyn Curry ... Joy
Clark Gregg ... Edward
Demi Moore ... Kate
Richard Dreyfuss ... Danny
Owen Campbell ... Karl
Peter Sarsgaard ... Fitzsimmons
Brandin Steffesen Brandin Steffesen ... Dancer
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Storyline

The summer before college presents two best friends, Lilly and Gerri, with the opportunity to shed their good girl images. Both girls want to lose their virginity and explore another side of who they are. But their dark and different home lives and the introduction of a bad boy, threaten to destroy their friendship without it being the nice coming-of-age summer that the two girls envisioned. Written by Anne Campbell

Plot Summary | Add Synopsis

Taglines:

When we lose our innocence, we have to find ourselves.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language and sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

24 June 2014 (USA) See more »

Also Known As:

Bakhourot tovot See more »

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Box Office

Opening Weekend USA:

$4,102, 27 July 2014

Gross USA:

$6,940

Cumulative Worldwide Gross:

$10,963
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Though not at the same time, both Fanning and Olsen attended the same private high school in Studio City, Los Angeles. See more »

Goofs

When Lilly comes home from the beach at the beginning of the movie, she tells her mother that she had gone to Brighton Beach. Her sister expresses surprise that she had gone all the way to Rockaway. Rockaway is nowhere near Brighton Beach. See more »

Quotes

Lilly: Did mom talk to you about coming back?
Edward: Yeah.
Lilly: Are you?
Edward: I don't know.
Edward: You could just die and none of this would matter.
See more »

Connections

References Saturday Night Live (1975) See more »

Soundtracks

Rescue Me
Written by Howard Herrick
Performed by God-des and She
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User Reviews

 
An experience that sours the longer it goes on, when it becomes clear that love and lust have taken the place of character development and depth.
1 December 2014 | by shawneofthedeadSee all my reviews

First-time directors don't typically draw a cast with this much potential and talent. For Very Good Girls, Naomi Foner has managed to snag two of the hottest young actresses in the business right now - Dakota Fanning and Elizabeth Olsen - and surrounded them with the likes of Richard Dreyfuss, Demi Moore, Ellen Barkin and Clark Gregg. The more cynical among us would put this casting coup down to Foner's Hollywood connections: she's penned a few screenplays in her time, but is best known as the mother of thespian siblings Jake and Maggie Gyllenhaal. It's a shame that the final product doesn't dispel these suspicions. The film's awkward love/lust triangle never really convinces, and Very Good Girls spends most of its running time meandering aimlessly through the lives of characters who remain stubbornly opaque and unlikeable.

Lilly (Fanning) and Gerry (Olsen) are best friends who've grown up together, taking refuge in each other's houses when life gets too complicated in their own homes. It's their final summer together, and both girls make a pact to lose their virginity before Lilly goes off to college. Enter David (Boyd Holbrook), an artist who enchants both girls with his good looks and charm. As Gerry develops an outsized crush on David, Lilly plunges into a relationship with him - one that she awkwardly keeps a secret from her best friend. When tragedy strikes, Lilly is overcome by guilt, and the life-long friendship that binds the two girls together is sorely tested.

The trouble with Very Good Girls is that it's built around a tired old trope - two girls fight and fall out over the love of one guy - but fails to find anything refreshing to say about it. Foner's screenplay, for all that it's written by a woman, gives little to no real insight into either girl. Lilly, in particular, feels like a hollow shell drifting through the paces of her narrative, never really connecting with either David or her sketchy, amorous boss Fitzsimmons (Peter Sarsgaard - Foner's son-in-law). It doesn't help that David, as played by the stoically colourless Holbrook, is a walking cliché - in a scene meant to pass for deeply romantic, he actually makes Lilly read him poetry by Sylvia Plath in his dingy artist's loft.

Far more interesting are the home lives Foner has constructed around the two girls. Lilly struggles to come to terms with her father Edward (Gregg) cheating on her uptight mother Norma (Barkin), and migrates to Gerry's considerably more cheery, argumentative home, presided over by the loving but loud Danny (Dreyfuss) and Kate (Moore). There's so much more here to be explored: the way the two families intersect, and how these connections feed into the girls' friendship, lives and personalities. Unfortunately, Foner shoves it all into the background, focusing instead on the unfortunate love/lust triangle that's sprung up around Lilly, Gerry and David.

Foner's cast is, at least, worth the watch, although they don't quite manage to completely salvage the film or their characters. Fanning plays Lilly as tremulously lost, and Olsen lends her own charms to an otherwise paper-thin character who feels more like a plot device than a person. Barkin comes off best out of the entire adult cast, unearthing a little of the sorrow that haunts a woman whose husband has been conducting an affair in their own home.

It should come as no surprise to anyone who watches Very Good Girls that the movie was written twenty years ago. In many ways, the film feels hopelessly outdated. Foner makes minor edits to the script to update it to the present, which largely involve Lilly never charging her mobile phone so that she can only be contacted on a landline. But, in the larger scheme of things, the film seems out of touch with the girls of its title, miring them in adolescent angst over the same boy while failing to make them stand on their own as characters.


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