Steve Jobs takes us behind the scenes of the digital revolution, to paint a portrait of the man at its epicenter. The story unfolds backstage at three iconic product launches, ending in 1998 with the unveiling of the iMac.
Vicenarian Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss. Excited and intrigued, he sets out to find it.
When the kinetic Rory moves into his room in the Carrigmore Residential Home for the Disabled, his effect on the home is immediate. Most telling is his friendship with Michael, a young man with cerebral palsy and nearly unintelligible speech. Somehow, Rory understands Michael, and encourages him to experience life outside the confines of home.
A fine art auctioneer mixed up with a gang joins forces with a hypnotherapist to recover a lost painting. As boundaries between desire, reality and hypnotic suggestion begin to blur the stakes rise faster than anyone could have anticipated.Written by
Filmed during a break in Danny Boyle's two-year preparation schedule for the opening and closing ceremonies of the 2012 Summer Olympics in London. The film was edited after the Olympics wrapped. See more »
The view of Auvers by Paul Cezanne in the room of lost or stolen paintings is actually in the Art Institute of Chicago. It was a different painting by him with the same title that was stolen from the Ashmolean Museum, Oxford, UK on December 31 1999. See more »
[auctioneer is barking prices]
There is a painting, it's by Rembrandt. 'Storm On The Sea Of Galilee', it's called, and he's in it. Old Rembrandt, he's in the painting. He's in there, right in the middle of the storm, looking straight at you. But... you can't see him. And the reason you can't see him is because the painting has been stolen.
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After the closing credits have rolled, the audience hears the familiar five taps on the glass window that was an iconic audible signature throughout the film. See more »
Danny Boyle's films are a mixed bag. On the one hand you have amazing efforts such as 28 Days later and Trainspotting and on the other you have Shallow Grave and the Beach. He's never made a bad film in my opinion and they are always interesting even if they feel a bit convoluted or gimmicky. On his best days his films can feel whimsical and transcendent like Millions and A Life Less Ordinary and than sometimes they can feel a little to Oscar baity like 127 hours and slumdog millionaire. Trance falls nicely in line with these films and towards the top I might add. At the center of the film is a ho hum concept about a somewhat successful heist and the twistiness that surrounds it. The films overall effect relies on your acceptance on the believability of Hynopsis but in the end it's a beautifully crafted ride. Stocked with truly memorable visuals and some truly wonderful cinematography. From the creative lighting and color combinations to the inspired use of shadows and reflections, it is truly something to behold. Speaking of something to behold I must give credit where it is due and although james McAvoy's nude scene is impressive Rosario Dawson just blows him away in that department. Who knew she had such an amazing body it truly needs to be seen to be believed. Now all of that being said on the downside the film makes some big promises that any film would have a problem living up to. At times it comes across way more complex and intelligent that it ends up being. But like his earlier works Trance is a solid, memorable techno thriller that works as a bendy mind twister that mostly delivers. 4/5
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