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Blade Runner 2049 (2017)

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A young blade runner's discovery of a long-buried secret leads him to track down former blade runner Rick Deckard, who's been missing for thirty years.

Director:

Denis Villeneuve

Writers:

Hampton Fancher (screenplay by), Michael Green (screenplay by) | 2 more credits »
Popularity
126 ( 40)

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Denis Villeneuve reveals to Kevin Smith what it was like to collaborate with the movie's star, Ryan Gosling and taking on the massive challenge of breathing new cinematic life into Dune.

Won 2 Oscars. Another 90 wins & 144 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ryan Gosling ... 'K'
Dave Bautista ... Sapper Morton
Robin Wright ... Lieutenant Joshi
Mark Arnold ... Interviewer
Vilma Szécsi Vilma Szécsi ... Angry Old Lady
Ana de Armas ... Joi
Wood Harris ... Nandez
David Dastmalchian ... Coco
Tómas Lemarquis ... File Clerk
Sylvia Hoeks ... Luv
Edward James Olmos ... Gaff
Jared Leto ... Niander Wallace
Sallie Harmsen ... Female Replicant
Hiam Abbass ... Freysa
Mackenzie Davis ... Mariette
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Storyline

Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years. Written by Warner Bros. Pictures

Plot Summary | Plot Synopsis

Taglines:

The key to the future is finally unearthed.


Motion Picture Rating (MPAA)

Rated R for violence, some sexuality, nudity and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | UK | Hungary | Canada | Spain

Release Date:

6 October 2017 (USA) See more »

Also Known As:

Acid Zoo See more »

Filming Locations:

Korda Studios, Etyek, Hungary See more »

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Box Office

Budget:

$150,000,000 (estimated)

Opening Weekend USA:

$32,753,122, 8 October 2017

Gross USA:

$92,054,159

Cumulative Worldwide Gross:

$260,512,487
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The name of Agent K's apartment building is Mobius 21. Jean Giraud (Moebius)'s graphic short story "The Long Tomorrow" (published in "Metal Hurlant" in France and "Heavy Metal" in the US) was an early influence on the look of Blade Runner (1982). See more »

Goofs

(at around 4 mins) In Sapper Morton's kitchen, in the wide shots at the start of the scene, the flame under the pot is on full. Later, when the pot is in the foreground, the flame is much lower. At the end of the scene, as K opens the lid and smells the garlic, the flame is medium-high. See more »

Quotes

[first lines]
'K': I hope you don't mind me taking the liberty. I was careful not to drag in... any dirt.
See more »

Crazy Credits

The IMAX intro for the film features the statement "Can't Outrun the Truth" and a trip through 2049 Los Angeles. See more »

Alternate Versions

The IMAX print viewed by Turkish film critics at the movie's press screening in two days advance of its Turkish theatrical release censors nudity by digital zooming. Since the movie had not yet been classified by Turkish censors at the time of the press screening, this intervention appears to have been carried out by Sony Pictures for the Turkish market, as well as for some non-Western markets in general. See more »

Connections

Referenced in Saturday Night Live: Ryan Gosling/Jay-Z (2017) See more »

Soundtracks

Suspicious Minds
Written by Francis Zambon (as Mark James)
Performed by Elvis Presley
Courtesy of RCA Records
By arrangement with Sony Music Licensing
See more »

Frequently Asked Questions

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User Reviews

 
A visual masterpiece
4 October 2017 | by wouterdrummenSee all my reviews

Let me start by saying that I am a huge Denis Villeneuve fan and absolutely love every movie he made, from his breakthrough drama 'Incendies' to the action thriller 'Sicario'. But when I learned that he was going to make a sequel to Ridley Scott's iconic Blade Runner I had mixed feelings. Would he be able to live up to the expectations and make a sequel that could measure itself with the original? For this reason, I went into the cinema thinking ''This will be a great movie, I am a Villeneuve fan so I have to like it'' but that was a mistake, for once I stopped expecting and just started experiencing the film, I was enchanted by all of its visual beauty. I was wrong to doubt Villeneuve; his 'Blade Runner 2049' even succeeds in transcending in some ways the original masterpiece, especially as a visual experience.

The bleak dystopian future Scott so perfectly created is even more beautiful in Villeneuve's 2049, for which a lot of credit has to be given to the brilliant director of photography Roger Deakins, who has made one of his best works (which says a lot). Every shot is brilliant, I loved every single frame and I cannot imagine that he wouldn't get nominated and win an Oscar for this phenomenal work. But also a big thumbs up has to be given to the entire effects team, for Deakins didn't do it all on his own.

Deakins isn't the only mastermind at work, for the score is also beautifully done. When I learned that composer Jóhann Jóhannsson (someone who has collaborated multiple times with Villeneuve and did most of the scores for his movies) got fired I was surprised; Jóhannsson has always delivered great work, but according to Villeneuve, his score ''wasn't the right one'' for this movie for it didn't ''resemble Vangelis soundtrack for Blade Runner'' quite enough. So he got replaced by probably the best man in the business nowadays; Hans Zimmer. And as we are used to with the German composer, this was once again sublime and a great homage to the original. Zimmer's 2049 score can be compared to his Dunkirk score, in a way that it unsettles us from the first chord and just as the Second World War movie, it keeps us on the edges of ours seats, especially during the last hour.

As for the people who are actually situated in front of the camera, they all play their parts very well. I was especially happy that Ryan Gosling's agent K was indeed the leading man and he did a very good job. I was slightly concerned that it would mostly be about Harrison Ford's Deckard, but luckily that wasn't the case. Nevertheless, Ford gives one of his best performances in years and after all the iconic roles he played once again in recent years (Han Solo, Indiana Jones) this is by far the best. The smaller but important roles are also noteworthy; Robin Wright's Lieutenant Joshi makes a fierce and convincing police chief, while the villain duo Jared Leto's Neander Wallace as the evil head of a corporation at the top of the new world order and his frightening hit-woman Luv (Sylvia Hoeks) are also very impressive. Last but not least, Ana de Armas is also very good as Joi, K's girlfriend (even if she does remind me a lot of Scarlet Johansson in 'Her' and slightly of Alicia Vikander in 'Ex Machina', but maybe that's something Villeneuve did that on purpose and wanted to pay homage to these recent but also very good science-fiction movies).

That said, Villeneuve will receive most of the credit, as he should. For unlike most of Hollywood's blockbusters nowadays, he doesn't simply deliver us a spectacle with some nice effects or a reboot of the original, but he picks up the threads where Scott left, which was a monumental task, for the original 'Blade Runner' is one of the most impressive and iconic movies ever made. 2049 continues on the same topics raised by the original, making the sequel worth the 35-year long wait; it goes further with what was proposed in the first installment, enriching one another. It is possible that one day a third installment could be made, but that is only if any director will ever find the courage to make another 'Blade Runner', for the bar is raised incredibly high. I believe that in time, 'Blade Runner 2049' will just as the original one, grow into a cult movie, and rightfully so, for it is its own movie, but, just as the original, a visually remarkable, achingly human sci-fi masterpiece.

I am not going to say more about it, because the studio has been unusually insistent in its pleas to critics and the first movie viewers not to reveal any plot points, but I am glad they did. Even if I could go on and on about the movie and the difference between replicants and humans (or is there really much of a difference, after all?) the less you know the better, because 2049 feels at its best when it surprises (which is one of Villeneuve's greatest strengths). This is a movie best experienced on the biggest screen in your cinema; trust me, it will be worth your while. As for me, I will most likely try and make some free time in my schedule for the coming days, 'cause I want to go the cinema again, guess what I'm gonna watch...


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