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From Up on Poppy Hill (2011)

Kokuriko-zaka kara (original title)
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2:25 | Trailer

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A group of Yokohama teens look to save their school's clubhouse from the wrecking ball in preparations for the 1964 Tokyo Olympics.

Director:

Gorô Miyazaki

Writers:

Tetsurô Sayama (original story), Hayao Miyazaki (screenplay) | 4 more credits »
6 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Masami Nagasawa ... Umi Matsuzaki (voice)
Jun'ichi Okada Jun'ichi Okada ... Shun Kazama / Yuichiro Sawamura (voice)
Keiko Takeshita Keiko Takeshita ... Hana Matsuzaki (voice)
Yuriko Ishida ... Miki Hokuto (voice)
Rumi Hiiragi ... Sachiko Hirokôji (voice)
Jun Fubuki Jun Fubuki ... Ryoko Matsuzaki (voice)
Takashi Naitô Takashi Naitô ... Yoshio Onodera (voice)
Shunsuke Kazama Shunsuke Kazama ... Shirô Mizunuma / Hiroshi Tachibana (voice)
Nao Ohmori ... Akio Kazama (voice) (as Nao Ômori)
Teruyuki Kagawa ... Tokumaru Rijichô (voice)
Haruka Shiraishi Haruka Shiraishi ... Sora Matsuzaki (voice)
Tsubasa Kobayashi Tsubasa Kobayashi ... Riku Matsuzaki (voice)
Alex Wolff ... Riku Matsuzaki (voice)
Bridget Hoffman ... Yuko (voice)
Aoi Teshima Aoi Teshima ... Yuko (voice)
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Storyline

A group of Yokohama teens look to save their school's clubhouse from the wrecking ball in preparations for the 1964 Tokyo Olympics.

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated PG for mild thematic elements and some incidental smoking images | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Japan]

Country:

Japan

Language:

Japanese

Release Date:

16 July 2011 (Japan) See more »

Also Known As:

From Up on Poppy Hill See more »

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Box Office

Budget:

$22,000,000 (estimated)

Opening Weekend USA:

$57,585, 17 March 2013

Gross USA:

$1,002,895

Cumulative Worldwide Gross:

$61,037,844
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

When traveling to Tokyo, the famous red-white Tokyo Tower landmark can be seen in the distance. See more »

Goofs

Although the movie takes place in the early 1960s, the "Coke" sign over the store (at around 6 mins) has a swoosh. That didn't become part of the Coca-Cola logo until 1969. See more »

Quotes

Shun Kazama: There's no future for people who worship the future, and forget the past.
See more »

Crazy Credits

When Umi and Shun board the ship to find out the truth about their parentage, there is a shot that shows a red sign saying "Ghibli" on the front of the ship. See more »

Connections

Referenced in Two People (2011) See more »

Soundtracks

Sayonara no Natsu ~Kokuriko-zaka kara~
("Summer of Goodbyes ~From up on Poppy Hill~")
(1976)
Lyrics by Yukiko Marimura
Composed by Kôichi Sakata
Arranged by Satoshi Takebe
Sung by Aoi Teshima
See more »

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User Reviews

Decent addition to the Ghibli canon
2 November 2012 | by VartiainenSee all my reviews

Having seen Tales from Earthsea, I wasn't expecting much from this film, although it had garnered some positive feedback. Goro Miyazaki had already shown us that he didn't share his father's magical touch, creative ingenuity and ability to tell timeless stories. That being said, I was pleasantly surprised by this film. Though to be fair, the story was written by Hayao Miyazaki so at least part of the film's quality can be attributed to him and not his son.

Still, Goro Miyazaki DID direct this film and with it he proves that he actually has some promise as a film artist. This is a delightful little film about young love, willingness to endure through hardship and the importance of trying even when it seems pointless. It's a story told well, with beautiful animation, identifiable and likable characters and many scenes that have stuck with me since then. The story of two young people in love and all the obstacles in their way is one that has been told countless times, but the version of this film is one of better ones I've seen. It's not flamboyant, neither is it too sweet or too clinical, rather it feels real. Sure it's a bit extraordinary, like a good story should be, but it still feels like I could learn something from it.

So yes, the story and the characters are the best part of this film, for which we have to thank pappa Miyazaki, but I liked the contributions of the son as well. The atmosphere, the mood of the film, the feeling of mid-century Japan, the way all the characters interacted with each other. As stated before, it all felt just extraordinary enough to catch our interest, but not too much so that it became unbelievable.

Though, in retrospect, I cannot say that I felt like I had seen something groundbreaking when I walked out of the theater. It is a fine movie by all accounts and Studio Ghibli can be proud to call it one of theirs, but it lacked that certain spark that all great films have. In that one singular aspect this film just wasn't all that extraordinary. It doesn't mean that you should see it, though, far from it. It's a film with heart, feeling and passion. It has cheer, humour and melodrama to spare and it will make you feel good, like a family film should.


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