A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.
During the psychedelic 60s and 70s Larry "Doc" Sportello is surprised by his former girlfriend and her plot for her billionaire boyfriend, his wife, and her boyfriend. A plan for kidnapping gets shaken up by the oddball characters entangled in this groovy kidnapping romp based upon the novel by Thomas Pynchon.Written by
Reese Witherspoon filmed all of her scenes in four days. Writer and Director Paul Thomas Anderson loved working with her so much that he and Joaquin Phoenix, who famously worked with Reese in Walk the Line (2005), began talking with Witherspoon about possibly changing the story so that her character would be around more. However, ultimately the actress convinced the two that it wouldn't be a good idea, something that in retrospect Anderson agrees with. See more »
When Doc goes to see Penny at her office she asks if he will let her depone him. While the use of the word "depone" might seem unusual compared to the more common "depose", this should not be regarded as a mistake. Penny's actual line from the source novel is this: "Would you be willing to depone for me?" See more »
Then, along comes little Amethyst. I don't know if you have the stomach for it, but this is what we had her looking like.
[passes Doc a photograph]
Everybody helpfully pointed out how the heroin was actually coming through my breast milk, but...
[Doc looks at the photo, screams, then immediately calms down]
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After the credits roll, the end caption is the opening inscription from Pynchon's novel, Inherent Vice: "Under the Paving-Stones, the Beach!" - Graffito, Paris, May 1968 See more »
The movie itself was not incredible, but the main character was nicely designed, with unpredictable behavior and feelings stronger than they seem. The other characters all had their unique parts, but they were all made so that Doc's personality would stand out. The funny part was its similarity with a film noir, but I do not intend to give spoilers
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