A grown man caught in the crossfire of his parents' 15-year divorce discovers he was unknowingly part of a study on divorced children and is enlisted in a follow-up years later, which wreaks new havoc on his family.
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Follows the lives of five interconnected couples as they experience the thrills and surprises of having a baby and realize that no matter what you plan for, life does not always deliver what is expected.
J. Todd Smith
Julie and Jason have been best friends for years with no romantic interest in each other. He sleeps with someone new every few days, and she's looking for Mr. Right. Now in their thirties, they notice that their friends seem to lose all their good qualities when they have children - child rearing and the spark of Eros don't seem to co-exist. So, they decide to have a child together, share in child rearing, but pursue their own romantic lives. Things go well until he meets Mary Jane and she meets Kurt. Both seem like perfect mates. What could go wrong?Written by
Jason introduces Mary Jane to his parents (played by Kelly Bishop and Cotter Smith) in Mary Jane's dressing room, backstage at the Broadway revival of Chicago. In Kelly Bishop's real life, she appeared in (and won a Tony for) the original Broadway production of A Chorus Line, which in 1975 engaged in a famous box office and awards rivalry with the original production of Chicago. See more »
When Jason describes his girlfriend Mary Jane to Julie and insists that she should meet her, while leaving the house Julie's white scarf is tied in one scene and untied in the next scene. See more »
Y'know, some people just aren't meant to be parents.
Look, none of us really ever thinks that we're doing a perfect job. But it's just par for the course, that's the gig. But then you have those moments, you come home from work, you open the door, you're kid run in and gives you a big hug, and it's kind of game over, right? And that the kind of whole thing right there, you know.
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Okay,I wasn't going to say anything but I was so baffled by the other reviews I feel compelled.
This film isn't, just in case you were wondering,' untouched genius'. It's simply , okay. It's like watching people who are quite nice going through a storyline which is slightly familiar. No alarms and no surprises.
I don't wish to add spoilers but one crucial scene which for me explains all the films weaknesses is this; Jennifer Westfeldt looks at herself in the mirror wearing a pair of heels, she decides she doesn't like them , so takes them off and puts on a pair of boots which zip up the side. She sits down on a bed and puts them on, one at a time, then once again she looks at herself in the mirror. This time she is happy with her choice. This is shot in real time, and if memory serves correctly without an edit. Takes about 45 secs. When you write , direct and star [ especially when you haven't been in a movie for a while] ,screen time must be very exciting but filming yourself looking at yourself , pretty explains the whole movie for me.
There's a good reason Kristen Wigg features on the poster, Bridesmaids made millions, she's funny and has got game.
But imagine being in the marketing meeting where you had to explain to Jennifer why her face wouldn't be appearing in any of the advertisements for the film she wrote, directed and starred in. Ouch, that must have been a tough day for her.
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