As the extremely withdrawn Don Johnston is dumped by his latest woman, he receives an anonymous letter from a former lover informing him that he has a son who may be looking for him. A freelance sleuth neighbor moves Don to embark on a cross-country search for his old flames in search of answers.
Two innocent people are arrested. An interesting third person, with broken English, joins them in their cell. On his idea, they decide to escape from the prison. Their journey is the rest of the movie.
Adam (Tom Hiddleston), an underground musician, reunites with his lover for centuries (Tilda Swinton) after he becomes depressed and tired with the direction human society has taken. Their love is interrupted and tested by her wild and uncontrollable little sister (Mia Wasikowska).Written by
Eve (Tilda Swinton) books a flight for Adam (Tom Hiddleston) and her under the names "Daisy Buchanan" and "Stephen Dedalus", main characters in F. Scott Fitzgerald's "The Great Gatsby" and James Joyce's "A Portrait of the Artist as a Young Man", respectively. Stephen Dedalus also appeared as the sidekick in Joyce's "Ulysses". In Joyce's final novel "Finnegans Wake", there is a famous recurring poem with the line "riverrun past Eve and Adam". See more »
There is no way to get from the USA (Detroit or Chicago) to Spain (Madrid) only flying at night. The flight will take at least 8 hours and will cross 5 time-zones into the east towards sunrise. So night would take at least 13 hours. See more »
I like to come to the source. Besides, the mutual jeopardy makes me feel safer.
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Wonderful imagery. style and atmosphere in the extreme. great acting. Beauty in many forms: you get a lot for your eyes. Also, depending on your taste in music, there is also a lot for your ears.
For your brain, sadly, not as much.
"Only lovers left alive" is filled with a lot of name-dropping, by word, picture and sometimes sound. Whether you find that fascinating or pretentious depends on your taste.
But what this movie really lacks is a story. The characters are throughout and the dialogue may be scarce, but has some dry humour and snappy lines. That doesn't save it from going nowhere. Glaring plot holes may make you cringe at times. And the pacing looks like Jarmush tried to surpass Kaurismäki in terms of slowness. If so, he won.
So perhaps this movie is best tasted in the state its protagonists enter after relishing an excellent glass of blood: dazed, blissful, and somewhat drugged.
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