Mertkan has a simple life in Istanbul: 'working' as an office-boy in his dad's construction company, hanging out with his male friends in malls and discos, cruising with his dad's 4-wheel ...
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When some people from the other side of the mountain invade the territory of a farming family, the family head tries to unite the family and fight back. But then problems within the family start to appear as well.
Amid the intense political violence of Istanbul, Kadir is released on parole two years early on the condition that he become an informant for the police gathering terrorist informations, activities, and searching for bombs on trash cans.
A strange man with otherworldly talents becomes both a friend and a pariah in a small Turkish town in this drama from writer and director Reha Erdem. Yahya is nearly in a panic when his ... See full summary »
In a Turkish village, three siblings who neither know each other nor anything about their late father, wait to bury his body. As they start to find out more about their father and each other, they also start to learn more about themselves.
10 to 11 is the story of a passionate collector Mithat and the concierge of the building, Ali. For Mithat Istanbul is as vast as his collections and for Ali is nothing more than a few ... See full summary »
A man's life, thoughts, feelings and his very own darkness... Adapted from Dostoevsky's novel "Notes from Undergroud", Demirkubuz follows Muharrem as he gets himself invited to a party ... See full summary »
Mertkan has a simple life in Istanbul: 'working' as an office-boy in his dad's construction company, hanging out with his male friends in malls and discos, cruising with his dad's 4-wheel drive at night. There is no urgency for him to find a meaning to this emptiness. When he meets Gul, a Kurdish girl from Eastern Turkey, putting herself through university by working as a waitress, Mertkan has a chance to change the futility of his life. But his father opposes his connection with 'those people who only want to divide our country' and reminds Mertkan that 'we are all Turkish and we are all Muslims'. Insidiously Mertkan bows to the social values of the 'Majority' when faced with a choice, and becomes the 'proper man' his dad wanted him to be.Written by
Turkish cinema produces fine films and this is one of them.It shows a patriarchal family structure in which all members are alienated and no real communication exists.They exchange messages but the lines of the father cannot be crossed no matter how this makes the other members unhappy.Father is violent corrupt disrespectful and racist as we see from different manifestations of the film.Mother seems to understand her predicament but she is reluctant to take any action and accepts her fate.Son has an opportunity that is given to him via his relationship with the Kurdish girl to see his life from a different perspective but he don't have the education the support from friends and family and he is a coward.So in the end the abused son becomes the abuser towards the workers because he don't know nothing else to do, he reproduces his father.Th e irony on the socio-political level comes from the emancipatory call that comes from the Kurdish girl (the book that later is thrown away)to the modest but well off Turkish family.In other words a region which is backward economically socially compared to the rest of turkey.Maybe this is a hint that the Turkish government play a role for that situation.Excellent performances from all the actors.
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