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When Straight-A college student Jeff Chang's two best friends take him out for his 21st birthday on the night before an important medical school interview, what was supposed to be a quick beer becomes a night of humiliation, over indulgence and utter debauchery.Written by
The "tower of power" party scene was filmed in an actual college dorm that has a 24/7 quiet hours policy. See more »
After Jeff Chang gets completely drunk and wasted, Miller and Casey spend the majority of the night trying to get him home because they don't know his address. Not a problem, except they both took a taxi cab to get to his house at the beginning of the film, which means they either have his address written down/stored somewhere or they both knew it. Even if they didn't know the location of his house from the bar area, they should have at least had the physical address to give to someone. See more »
"21 and Over" is like a 21st Century version of "Animal House" and "Porky's" - only this one comes with a bit of a social conscience, as befits the times we live in.
Miles Teller, Skylar Astin. and Justin Chon play buddies from childhood, now ending their time in college, who reunite to celebrate the 21st birthday of one of them, Jeff Chang (Chon). Astin's Casey is the stuffed shirt who's already on the fast track to a career on Wall Street after he graduates; Chon's Jeff is the stressed-out A-student whose dad is pressuring him to ace a med school interview the next day; and Teller's Miller is the Stiffler-type wise-ass who refuses to grow up, convinced that the only life worth living is one patterned after the "American Pie" movies.
Against their better judgment, Astin and Teller- take Chon out for a celebratory bender, resulting in what anyone with any knowledge of how these things customarily work out in the movies can plainly predict. Yet, beyond all the drinking, brawling, sex rituals and generalized pandemonium, "21 and Over" actually has some poignant things to say about friendship and finding that fine line between becoming a mature adult and selling out to a life devoid of fun and joy. Luckily, the screenplay by Jon Lucas and Scott Moore (who also directed the film together) doesn't overdo it in the moralizing department, neatly balancing the insights with a steady stream of ultra-crass frat-boy hijinks. The movie even has some fun skewering the misogyny and sexual double standards that prevail among some of the male youth of today.
The movie is helped immeasurably by the performers who bring both humor and heart to the proceedings. They make the nonsense not only bearable but actually quite enjoyable at times.
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