Annabelle is the wise-beyond-her-years newcomer to an exclusive Catholic girls school. Having been expelled from her first two schools she's bound to stir some trouble. Sparks fly between ... See full summary »
Lieutenant Laurel Hester is dying. All she wants to do is leave her pension benefits to her life partner - Stacie, so Stacie can afford to keep their house. Laurel is told no; they are not ... See full summary »
Dane B. Wells
Julianne Moore's third time playing a lesbian, following The Kids Are All Right (2010), and The Hours (2002). She also played a straight woman who has a lesbian affair in Chloe (2009). See more »
Laurel and Stacie first encounter each other at a volleyball game with each playing on opposite teams. Stacie serves to Laurel, whereupon Laurel's team successfully returns the ball and the game is over. However, in volleyball, only the side that is serving can score a point and they must also win by two. For the game to be over, Laurel's side would need to get the ball back to serve the winning point. The director may have decided to skip that in order to keep the story moving. See more »
When my heterosexual partners die. Their pension goes to their spouses. But because my partner is a woman, I don't get to do that. In my twenty three years of being a police officer, I've never asked for special treatment. I'm only asking for equality.
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Even though it treads a lot, and I mean it, a lot of ground that has been covered by countless films before, especially recently, "Freeheld" is a well-crafted film that has committed and passionate work behind it that manage to make it come through a lot more than it could have in many other situations.
I am baffled by Juliane Moore honestly, that is the first and only thing that comes off the top of my head thinking of the film. She is so talented it is ridiculous. Because even if this is a performance that we have seen so many times before, even by Moore herself last year, she still manages to make it fu**ing interesting, new and genuine. This actress is a legend really. Right from her way of moving on screen she just lives and breathes the characters she is given and makes them so much more of what is on paper, which is also the main reason this film succeeds.
Because the film does recycle a lot. Both in ideas and style. It fits right into the streak of true story films that we have had in recent years and doesn't really emerge. It doesn't have a personal stamp, it doesn't really say anything special or new and what it says it really throws in your face without space for a more subtle or emotional narrative. As always with true story movies it gets deep into manipulating your emotions by pulling very, very easy heartstrings and doesn't make an attempt at trying to make a movie first before a recounting of the true story.
Yet, you feel that much of it, despite being standard, is truly heartfelt by the cast. Micheal Shannon is really, really good, Ellen Page doesn't always find her place on screen, but still manages to come off as the very good actress she is.
So in the end what we have is something that excites and moves in a way too conventional and seen-before way, that comes off as a pleasant experience thanks to its actors' commitment. I will never, ever watch this film again, but I will also never regret having seen it.
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