The memories of cast and crew members who knew or had some understanding of Marilyn and some of the difficulties that absorbed her daily life. Talked about also was what is considered the ... See full summary »
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
Sir Laurence Olivier is making a movie in London. Young Colin Clark, an eager film student, wants to be involved and he navigates himself a job on the set. When movie star Marilyn Monroe arrives for the start of shooting, all of London is excited to see the blonde bombshell, while Olivier is struggling to meet her many demands and acting ineptness, and Colin is intrigued by her. Colin's intrigue is met when Marilyn invites him into her inner world where she struggles with her fame, her beauty, and her desire to be a great actress.Written by
Dame Judi Dench, who portrays Dame Sybil Thorndike, met her several times. The first time was in 1958, when Dench was in Romeo and Juliet at the Old Vic. "She came round to see us afterwards and was so charming. We were young actors and she was lovely to us and strongly encouraging and gentle. I think they got very, very close to how Dame Sybil was in the script." See more »
In 1956, at the height of her career, Marilyn Monroe went to England to make a film with Sir Laurence Olivier. While there she met a young man named Colin Clark, who wrote a diary about the making of the film. This is their true story.
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Saw pre-release screening. Never believed that Michelle Williams was Marilyn, which was distracting, always looked like she was an actress portraying Marilyn. The subtext of a woman whose main attribute is her sexuality, who only achieves based on her attraction to men, is sublimated to endlessly dull scenes of a vapid actress trying to recite lines on a movie set, with some lackluster comic relief tacked on gratuitously.
Eddie Redmayne was really good, and he should be someone to keep an eye on. But this film never seems to get going--any film based on MM's life should be sexy, shouldn't it? The end just kind of dumps onto the screen because there is no place else to go. Should have been a lot better, maybe they can tighten it up with some editing.
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