Paul is a U.S. truck driver working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it's a race against time to escape this claustrophobic death trap.
José Luis García Pérez,
After a break up, Jenny moves in with writer Kelly, her filmmaker husband, and their child. Despite a rocky start, Jenny's influence helps Kelly realize that an evolution in her life, career and relationship is necessary for her happiness.
Since his beloved violin was broken, Nasser Ali Khan, one of the most renowned musicians of his day, has lost all taste for life. Finding no instrument worthy of replacing it, he decides to confine himself to bed to await death.
Maria de Medeiros
Dave is a married man with three kids and a loving wife, and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain, lightning strikes and they switch bodies.
Eight years after the disappearance of Cassandra, some disturbing incidents seem to indicate that she's still alive. Police, parents and Cassandra herself, will try to unravel the mystery of her disappearance.
Eloise, having been relieved of maid of honor duties after being unceremoniously dumped by the best man via text, decides to attend the wedding anyway, only to find herself seated with five fellow unwanted guests at the dreaded Table 19.
Jerry (Ryan Reynolds) is that chipper guy clocking the nine-to-five at a bathtub factory, with the offbeat charm of anyone who could use a few friends. With the help of his court-appointed psychiatrist, he pursues his office crush (Gemma Arterton). However, the relationship takes a sudden, murderous turn after she stands him up for a date. Guided by his evil talking cat and benevolent talking dog, Jerry must decide whether to keep striving for normalcy, or indulge in a much more sinister path.Written by
Ryan Reynolds is a Norman Bates for the 21st century
For some reason Ryan Reynolds hasn't really taken off as a movie star, but I can't really see why. He has the good looks and he has a likable personality. Maybe it has to do with GREEN LANTERN? (not the best movie, but I still enjoyed it). Well, this time teamed up with director Marjane Satrapi (PERSEPOLIS) in her English-language debut, Ryan Reynolds delivers what is probably the best performance of his career. He plays Jerry, a rather unassuming (but subtly creepy) guy who works at a faucet and fixture warehouse in a small town. Everything seems alright on the surface, but deep inside Jerry has some problems. Aside from a troubled childhood, he also hears voices inside his head, and these voices tell him to do things...bad things. I'll just say that for those looking for a lighthearted comedy, this isn't it. THE VOICES goes to some pretty dark places, but manages to balance the tone fairly evenly between comedy and shock, of which there is plenty. But most importantly, Jerry is a guy you actually care about. Despite his...issues, he really wants to do the right thing and live a normal life. Too bad that his cat Mr. Whiskers is more influential than his goodhearted dog Bosco. Across the board, all of the performances were excellent. You have Anna Kendrick and Gemma Arterton who play a couple of Jerry's coworkers, and Jacki Weaver plays his court-appointed psychiatrist. They could have been developed a little more, but this is mostly Ryan Reynold's show and boy does he deliver! From a technical standpoint, I thought the cinematography and production design lent a sort of fairy-tale quality to the film, and the color scheme which had a lot of pinks and oranges provided a nice contrast with dark subject material. As far as the gory stuff is concerned, they don't show a whole lot, instead opting for some pretty gruesome sound design. Often the power of suggestion is more effective than actually showing violent acts. And, in this case, it actually works in the film's favor because Jerry can remain just as likable when you don't actually see him kill people most of the time. If there's any weaknesses to the film, it's that it doesn't really try anything new or revolutionary in its approach to the whole "loveable serial killer" thing. Almost nothing that happens in this movie is unpredictable in some way, with one big exception which I'll leave for you to experience on your own should you choose to watch this. Overall I enjoyed this a lot, mainly because I'm drawn to oddball films like this, but also because I haven't seen Ryan Reynolds this good in, well, forever. For lovers of dark comedies, I'd say THE VOICES is a must-see.
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